FlashForward was a really fun show to make. Not to mention, I only worked like, one day a week, and it paid the same as Happy Endings. I got to make out with beautiful women on that show as well.

I've had friends whose boyfriends I meet, then they break up and I end up staying buddies with the boyfriend. In this day and age with social media and Facebook, Twitter, it's really impossible to escape people that you've been involved with. In a weird way, it makes it easier for everyone to stay friends because you're just sort of stuck there.

Film work can be tedious and sort of all over the place, especially when you have a family and you're going off and doing things somewhere else.

I mean, comedy's hard. If you go back and look at the first season of Seinfeld, it's a work in progress and that's what happens. It just take time for people to figure each other out, and figure out timing, and to develop creatively with the writers.

"FlashForward" was a dream come true. I had auditioned for David Goyer for "Blade: Trinity" and didn't get the part, but I guess he became a fan.

I don't want to name any names, but I've worked on television shows where there's a guy writing for my generation who's like 60 - and it doesn't work.

I can't wait to retire from acting and just sit around and get fat.