In college, I won the Irene Ryan; it's kind of like a collegiate Tony, which got my career going. I was honored. I won a fellowship to the Kennedy Center, and that's where I got my agent.

'FlashForward' was on the outs when I was approached with 'Happy Endings.' I literally got the script on a Friday, and on Saturday morning I met with David Caspe, Jamie Tarses, and the Russo brothers. I took the role on that Saturday, and on Monday I was doing a table read. It all happened very fast, but it was super exciting.

I don't want to name any names, but I've worked on television shows where there's a guy writing for my generation who's like 60 - and it doesn't work.

I surf - that's the one thing I make time to do. I definitely surf a lot, but when you're working 15 hour days... all I want to do is get home to my baby.

V-necks are great because you can get a little fat and you still look kind of good - and I like to get fat sometimes, so it's nice. I like to fluctuate between the world of skinny and fat, so V-necks suit me well.

Film work can be tedious and sort of all over the place, especially when you have a family and you're going off and doing things somewhere else.

I mean, comedy's hard. If you go back and look at the first season of Seinfeld, it's a work in progress and that's what happens. It just take time for people to figure each other out, and figure out timing, and to develop creatively with the writers.