I also feel like the kinds of jobs I want right now - I consider them aspirational. I want to raise the bar for myself, and I am in this interesting spot where I do get offered a lot of things, but frankly, the majority of the things I get offered I'm not really interested in doing. I want to do the things that I have to fight for.

Our third partner [with Neal Dodson] was this other guy called Corey [Moosa], and he came in with good ideas and also some access to money, and so we joined forces and drew up a business plan and got financing for the beginnings of the company. We had no idea what we were doing really. We just started looking through material and started producing our own stuff.

I love when you aren't accountable to anybody or anything, and you can just be wherever you are.

I remember [Patrick J. Adams] being in a particularly disillusioned place and really wanting your ambitions to be met with opportunity and not feeling like they were. It's all the more reason that I feel grateful to be able to stay connected and be in each other's lives. Obviously now you're in a very different place, and it's really nice to be able to look back on that and be reminded of how far we've come, at least in the opportunity aspect. The mental state aspect of it is a different story, I'm sure, but I always knew you would work.

We are witnessing an enormous shift of collective consciousness throughout the world. We are at the precipice of great transformation within our culture and government.

That idea of comparison is what fans do. That's why fans exist. They believe in something and something connects to them, and they have passionate feelings and opinions about films.

The play I did on Broadway a couple of seasons ago started out of town and it moved its way into New York because of the experience that we had out of town.