We are witnessing an enormous shift of collective consciousness throughout the world. We are at the precipice of great transformation within our culture and government.

The razor-sharp line of division that exists between political ideologies in our own country in the United States, I think it's clear that these movements are forming - and one is more forward thinking and more embracing and more inclusive. The other is less tolerant and more judgemental and more fear-driven and fear-based. I think, you know, over the next generation, we're going to see which way we turn as a civilisation.

In light of Jamey [Rodemeyer]'s death -- it became clear to me in an instant that living a gay life without publicly acknowledging it -- is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality.

What scares me? Oh, now that's a big question. I don't know what scares me - cockroaches, nuclear apocalypse. Fear is an interesting thing. It has a place in all of our lives. I try to be as fearless as possible. I don't always succeed, but I like to think I try.

I remember standing outside of the dorm by the little terrace. I was going to do this job that I wasn't 100 percent certain of, which ended up being much more fun than I expected [in So Notorious].

I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera.

We [with Neal Dodson and Corey Moosa] spent a lot of time writing, for lack of a better word, this manifesto about what we wanted to do. We wanted to find work that was relevant socially and that didn't take audiences for granted.