It didn't really change my opinion about [Edward] Snowden all that much, but I definitely feel like as a culture, it gave us information that generated a responsibility to protect ourselves as much as we can and also a responsibility to hold our government accountable to honoring our constitutional rights.

I went to high school directly across the street from Carnegie Mellon, actually, and I knew people that were a couple of years older than me that went there. I was able to see shows in the drama department, and hang out there little bit, and it just felt like a natural progression. It was at the top of my list.

I knew I needed a partner. I needed someone who could focus on and spearhead the business side of things, and [Neal Dodson] was great at that. That's how it started.

I recognized that I had a window of opportunity that had opened because of my exposure as an actor.

Honestly, people told me to. It was weird, I graduated from school, I never thought I'd live in L.A. and I always wanted to be to New York. I assumed that would be my trajectory - that romantic ideal of moving there and doing plays Off-Broadway and being scrappy about it. Then we did a showcase in New York and a showcase in L.A., and for whatever reason the response that I generated in L.A. was significantly more enthusiastic.

Zoe Saldana is such an angel. She’s got such an openness and vulnerability on camera and yet such great strength. She can kick ass with the best of them, but then she can soften and open up in a way that is magnetizing whether you’re watching her on set or on screen – she’s got a real power to her. I love her; we’ve known each other for years and it’s great to come back to that kind of familiarity, especially when you’re working with such intimacy.

It's funny that you [Zachary Quinto] did a monologue from Pounding Nails in the Floor With My Forehead. I did the same thing for my university when I went to USC.