It's funny that you [Zachary Quinto] did a monologue from Pounding Nails in the Floor With My Forehead. I did the same thing for my university when I went to USC.

We [with Neal Dodson and Corey Moosa] were constantly looking for features and looking for ways to get involved with people who were making stuff.

I just find that there's something about looking back on interviews, whether for purposes of remembering what I said about something or if it's for posterity when I'm 75.

There was no other concern; there was no other focus [in the Governor's School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I'd say that was a big pivotal moment for me.

Gay kids need to stop killing themselves because they are made to feel worthless by cruel and relentless bullying.

I'm also really fulfilled by having a production company and producing movies, and learning about how that works and happens. It's a totally, entirely separate skill set and it's one that I happen to also enjoy. So, I intend to cultivate all of those things until I can't anymore. That's my goal. I love to be challenged and busy, and so far, so good. I'm just going to do whatever I can to continue to encourage that.

J.C. [Chandor] was the kind of energy we were looking for, so we decided to get behind it with all of our effort. That was the beginning of our relationship with first-time feature directors, and that's when it became really important to us, watching them thrive and grow in a creative environment in which you can do that was really key. Also his work checked all the boxes, because it was socially relevant and intellectually driven, and creatively exciting.