I think we're a little bit more astray, more far afield from true integration and true acceptance.

My return to the theater in New York was so specific. I didn't want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.

[Edward Snowden and his team] they're great characters. They're fascinating people. They were in an extraordinary situation.

What scares me? Oh, now that's a big question. I don't know what scares me - cockroaches, nuclear apocalypse. Fear is an interesting thing. It has a place in all of our lives. I try to be as fearless as possible. I don't always succeed, but I like to think I try.

I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me.

The play I did on Broadway a couple of seasons ago started out of town and it moved its way into New York because of the experience that we had out of town.

I knew I needed a partner. I needed someone who could focus on and spearhead the business side of things, and [Neal Dodson] was great at that. That's how it started.