I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me.

I'm also really fulfilled by having a production company and producing movies, and learning about how that works and happens. It's a totally, entirely separate skill set and it's one that I happen to also enjoy. So, I intend to cultivate all of those things until I can't anymore. That's my goal. I love to be challenged and busy, and so far, so good. I'm just going to do whatever I can to continue to encourage that.

Zoe Saldana is such an angel. She’s got such an openness and vulnerability on camera and yet such great strength. She can kick ass with the best of them, but then she can soften and open up in a way that is magnetizing whether you’re watching her on set or on screen – she’s got a real power to her. I love her; we’ve known each other for years and it’s great to come back to that kind of familiarity, especially when you’re working with such intimacy.

While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.

I went to high school directly across the street from Carnegie Mellon, actually, and I knew people that were a couple of years older than me that went there. I was able to see shows in the drama department, and hang out there little bit, and it just felt like a natural progression. It was at the top of my list.

[Edward Snoden] has said many times that he's willing to come back and face trial if he can be guaranteed a fair trial, but the likelihood of that is so slim.

We just have to have visibility. We have to have acknowledgement. We have to have accountability to how we treat one another.