I think that, for me, Superman just seemed to make a lot of sense to me. After doing 'Watchmen,' it was - you know that thing, you've got to know the rules before you can break them? There was something about that in making 'Watchmen.'

It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same... the relationship is exactly the same.

The problem is, when you're making an animated movie, the studio has an illusion in their minds - and it's really not true - that because it's a drawing, it can be changed at any time.

The thing about 'Dark Knight' is its objective is to set Batman into your world, so that you can imagine the moral dilemmas he faces are exactly parallel to moral dilemmas that you would face in this world, today, if you were out there fighting crime dressed like a bat.

I aim my movies, as much as I can, at myself. I think that those movies have an interesting quality. They're very movieish. They are movie movies. Like I think Watchmen is a very self-aware movie. 300. Dawn of the Dead definitely. That's really where I've ended up.

I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.

I’m so excited to begin working again with Henry Cavill in the world we created, and I can’t wait to expand the DC Universe in this next chapter. Let’s face it, it’s beyond mythological to have Superman and our new Batman facing off, since they are the greatest Super Heroes in the world.