I imagine the film ["300"] as if I was a Spartan and I had never seen an immortal or a Persian, or an elephant or a rhino for that matter.

Probably the hardest thing to do was the beginning of the movie ["300"], I think, when we were in Sparta and all that - just getting in the groove.

Everyone has an angel, a guardian who watches over us. We can't know what form they'll take. One day old man, next day little girl. But don't let appearances fool you, they can be as fierce as any dragon. Yet they are not here to fight are battles, but to whisper from a hearth. Reminding that it's us... it's everyone of us who holds the power of the worlds we create.

My aesthetic is probably closer to a 15-year-old's than my dad's, but I get his conviction.

We've tried as hard as we can into keep the ideas intact in the hail storm that is Hollywood, so, whether he is or not, I'm personally proud of what I've been able to jam down their throats.

My personal success would be that people understand what I was trying to do. It was the most palatable when I watchmen_7_mdid Dawn. With Watchmen, too, I feel the same way. The movie's ironic and satirical and it's funny and serious and that's kind of the same way I felt about Dawn. Like I really was making a movie that knows it's a zombie movie and enjoys that and wants the audience to say, yeah, that's okay.

Also I've got to say in the movie ["300"] Gorgo, who is the Queen, she has also a part that is - I think - I don't want to say, 'Oh look, it's multi-quadrant,' and all this. I believe that it is because I think my dad can see this movie and go, 'F**k yeah!