So you know when you were work on Man of Steel, in 10 years somebody is going to do the music for Man of Steel, and a different director is going to be doing Man of Steel. Thatโs the reality. So all you can do is to give it not only your best, but your vision on what this character is, when you become one with that character.
Zack SnyderThe problem is, when you're making an animated movie, the studio has an illusion in their minds - and it's really not true - that because it's a drawing, it can be changed at any time.
Zack SnyderI write in a pretty straightforward way. I kind of sit down at page one and start writing.
Zack SnyderAlso I've got to say in the movie ["300"] Gorgo, who is the Queen, she has also a part that is - I think - I don't want to say, 'Oh look, it's multi-quadrant,' and all this. I believe that it is because I think my dad can see this movie and go, 'F**k yeah!
Zack SnyderThere's that weird and cool line that music can cross where it still gives you the goosebumps and you think it's cool but on the other hand it's sort of like also letting you off the hook a little bit with the ironic aspects of the thing. I think that's the inexplicable, the smell of a movie. That's the taste of the movie.
Zack SnyderIt's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same... the relationship is exactly the same.
Zack Snyder