Also I've got to say in the movie ["300"] Gorgo, who is the Queen, she has also a part that is - I think - I don't want to say, 'Oh look, it's multi-quadrant,' and all this. I believe that it is because I think my dad can see this movie and go, 'F**k yeah!

I imagine the film ["300"] as if I was a Spartan and I had never seen an immortal or a Persian, or an elephant or a rhino for that matter.

Also I've got to say in the movie ["300"] Gorgo, who is the Queen, she has also a part that is - I think - I don't want to say, 'Oh look, it's multi-quadrant,' and all this. I believe that it is because I think my dad can see this movie and go, 'F**k yeah!

There's that weird and cool line that music can cross where it still gives you the goosebumps and you think it's cool but on the other hand it's sort of like also letting you off the hook a little bit with the ironic aspects of the thing. I think that's the inexplicable, the smell of a movie. That's the taste of the movie.

I love comic books - maybe to a fault sometimes.

In the Making Of book ["300"] there's a guy named Victor Davis Hanson who is a a frickin genius. He's a Greek historian and we showed him the movie because I wanted him to write a forward to the Making Of book. I was a little nervous to be honest, because I wasn't sure how he'd react.

Yeah, I mean, I think I'm obsessed with tone in the movies. Tone has always been the main thing that I go after with a movie.