[George Saunders] is very precise about what he is doing. There isn't a thing left to chance.

Tell the truth through whichever veil comes to hand - but tell it. Resign yourself to the lifelong sadness that comes from never ­being satisfied.

I'm always interested in the way people speak and move in their environment, in a very particular environment. I'm never interested in writing a kind of neutral, universal novel that could be set anywhere. To me, the any novel is a local thing always.

Cambridge was a joy. Tediously. People reading books in a posh place. It was my fantasy. I loved it. I miss it still.

The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.

The really heroic thing about Nick Hornby is that he lives in north London and rarely leaves it... Every English writer needs their corner that is forever England - but only a few brave men choose to make that corner Highbury.

The arena of women's lives is somewhat more intimate. If a woman goes out with an incredibly attractive man and they break up, that woman is not more attractive to men. It's completely irrelevant to them. That's an example of the way women's minds work.