I know a lot of people who read and think: "George [Saunders] is so much fun." There's no denying you're fun to read, but as a writer I think of [George Saunders] as, in fact, not a fun and freewheeling type but really an obsessive control artist.

The young people have a phrase for this now, which is "slay in your lane." That's a very important principle of writing. You have to work out what it is you can't do, obscure it, and focus on what works.

I recognize myself to be an intensely naive person. Most novelists are, despite frequent pretensions to deep socio-political insight.

My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.

A lot of women, when they're young, feel they have very good friends, and find later on that friendship is complicated. It's easy to be friends when everyone's 18. It gets harder the older you get, as you make different life choices, as people say in America. A lot of women's friendships begin to founder.

150 years ago in [Charles] Dickens's time there was at least a sense of craft. So some of the things people had inside of them, they had the possibility of expressing in the making of things - even in a daily way with their clothes or their food. People made a good deal of both themselves. Now our daily lives are almost all consumption. Craft plays a tiny role.

It's still easier to find the correct Hoover bag than to find one pure person, one pure faith, on the globe.