The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example. This professionalization is a tragedy. Hand in hand with this - and I have no idea what the causal relations are - there has been a rise in the idea of The Author, so that today one often has the impression that what's selling the book is not the book but the author.

Experience belongs to the actor, but the story belongs to the teller. We write so we will never forget.

The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example. This professionalization is a tragedy. Hand in hand with this - and I have no idea what the causal relations are - there has been a rise in the idea of The Author, so that today one often has the impression that what's selling the book is not the book but the author.

I had an indefatigable curiosity about everything. But why should my fate have depended upon that? Why does the curiosity of a child born into the lowest classes have to overcome everything put in his or her way to mute that curiosity, when a child born to parents with access to the advantages of life will have his meager curiosity kindled and nurtured? The unfairness is horrifying when it is properly understood as an unfairness meted out on children, on infants, on babies.

News has a way of distancing us from events, even as it informs us about them. News articles almost always present both the event and the responses at the same time - how is President Barack Obama or Congress responding to the events? I think this reflects a deep need we have to feel that things are under control and that events are subject to our influence.

Writing is indeed essential to me. I have been writing for a long time but not for publication. I'm sure there are many, many people who do the same. The rewards of writing are in the process and not the product - not just for me but for others I have met.

Of course, an English aristocrat might have some contact with the staff downstairs and could adequately say a thing or two about inter-class dramas unfolding in the household. But something less parochial might be harder to come by. This is relevant because stories about the divisiveness of class are by definition stories that straddle class boundaries. A story about a miner in a mining town is not obviously one that speaks to the divisiveness of class. In other words, class doesn't just divide us in the world but it also divides us in the stories we're presented.