What really sells a fight, and any kind of action, is the performance of it. If someone is uncomfortable or uncertain about doing action because they're too concerned about their safety or about being right, it pulls them out of being that character, in that situation.

I've always appreciated great acting performances, but I've even learned to appreciate not so great ones 'cause it's hard.

A couple years in [to acting], I recognized that I developed methods from being a stuntwoman for so long that worked for me that I wasn't aware of. And I had to become aware of them, because I didn't recognize that I could actually apply them across the board.

I think because I am a physical person, and because my way of expressing and performing and storytelling or explaining has always been with my body, if I can combine the two I find it really liberating.

In my career as a double, a lot of my job is to not just do the fights to make them look cool, but also to appear as the same person as the actor I am playing.

I love acting. And if there's a niche that needs filling, I'm happy to get in there and try to fill it.

People are far more protective [of women] instinctively.