I think the biggest shift for me is - this is going to sound like a wanky actor, but - getting in touch with, and learning to not just appreciate, but actually really enjoy being a woman. Because for so long I was a jock, and I was an athlete, and I was a tomboy, and people would joke about like, fancy dress, you should go as a girl.

I had to paint the picture that I was never scared, otherwise I couldn't do my job. But now, as an actor, I'm literally paid to look emotionally accessible.

A couple years in [to acting], I recognized that I developed methods from being a stuntwoman for so long that worked for me that I wasn't aware of. And I had to become aware of them, because I didn't recognize that I could actually apply them across the board.

I think because I am a physical person, and because my way of expressing and performing and storytelling or explaining has always been with my body, if I can combine the two I find it really liberating.

I think the biggest shift for me is - this is going to sound like a wanky actor, but - getting in touch with, and learning to not just appreciate, but actually really enjoy being a woman. Because for so long I was a jock, and I was an athlete, and I was a tomboy, and people would joke about like, fancy dress, you should go as a girl.

My job as a double was always to put [actors] at ease. My job was to make my character, or the actress that I was doubling, look as badass as possible by being there.

I'm certainly not on a mission to be taken seriously as a dramatic actress, any more than I am just to be able to get roles that are exciting and satisfying to me. If that means action, then that means action.