A couple years in [to acting], I recognized that I developed methods from being a stuntwoman for so long that worked for me that I wasn't aware of. And I had to become aware of them, because I didn't recognize that I could actually apply them across the board.

What really sells a fight, and any kind of action, is the performance of it. If someone is uncomfortable or uncertain about doing action because they're too concerned about their safety or about being right, it pulls them out of being that character, in that situation.

In my career as a double, a lot of my job is to not just do the fights to make them look cool, but also to appear as the same person as the actor I am playing.

I'm completely at ease on a set. I'm pretty comfortable most places, but hitting the mark and knowing set etiquette and understanding cameras and lenses are second nature. It's a language I've spoken for years.

I think the biggest shift for me is - this is going to sound like a wanky actor, but - getting in touch with, and learning to not just appreciate, but actually really enjoy being a woman. Because for so long I was a jock, and I was an athlete, and I was a tomboy, and people would joke about like, fancy dress, you should go as a girl.

My job as a double was always to put [actors] at ease. My job was to make my character, or the actress that I was doubling, look as badass as possible by being there.

I would find it more difficult if somebody else was doing the action.