I think because I am a physical person, and because my way of expressing and performing and storytelling or explaining has always been with my body, if I can combine the two I find it really liberating.

I'm a poster child for feminism whether I like it or not, but I was resistant to the part of me that was a woman.

I mean, acting or stunts, doing my job means doing my job, and I'm loving it. It's fun to put my face in front of the camera; I'm really enjoying the process. But at this point, it's still just not too easy to go around describing myself as an actor. It took me a good long while to get to where I could do it not only without laughing, but without trembling a little bit, which is terrible, but... I mean, I was really hesitant to 100 percent walk down that path, to expose myself to that.

When being a stunt double, my job has always a supportive role, which is interesting, really. Part of what I really like about it is making a situation where people can just come out of their shell and be super bad-ass. That's exciting!

People are far more protective [of women] instinctively.

My favorite thing in moviemaking is to shoot in chronological order if at all possible, because it just helps for continuity and all the logistical purposes. It also helps with performance and the journey of each character, but I also think it's good for the director and everyone [else] involved.

Actually my relationships with my girlfriends have become that much deeper and more profound, because I'm like, huh, yeah, I don't have to judge you, or you judge me. It was a lot of - I didn't want to be that crazy girlfriend.