I've worked with a lot of really famous people. It stops being weird really quickly. For me, at least.

I was a vegetarian for a really long time, from 7 to 23, so I feel like some things aren't that weird but they seem weird to me, like blood sausage or snails. Those are things I've eaten now that, years ago, it would have been totally improbable that I would have eaten.

I've worked with a lot of really famous people. It stops being weird really quickly. For me, at least.

A lot of what I've had produced are plays, and I just don't want to do that. It's different than a movie, where you only have to act the scenes the one time, and you have other collaborators helping you make it better, so you don't feel as obsessed with your own mind. Plays you have to do every single night, and the thought of that is agony to me. There are days when you hate your own work, and you don't want to be confronted with that, have it coming out of your mouth or listening to somebody else say it to you. There are days you want to leave the theater and get a drink.

Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.

It's a good thing I learned some humility and perspective as I got older.

I think from my earliest childhood, I liked to tell stories, put on plays and write things. It's funny to think of it as an "artistic bug" because I didn't necessarily want to be an artist. It's just who I was and how I communicate.