You know, it only happens a handful of times in your career, where you walk out of an audition feeling like all the stars aligned, my preparation paid off, something magical happened in the room. I've gotten really lucky and I've gotten to work a lot, and I would say it's only happened, like, two or three times, where I've walked out and been like, This was the right thing and the right choice and they should just cast me.

And when I get bored, it's like the worst parts of me come out. I really veer to self-destructive tendencies quickly.

My grandmother told me: "We all dated lots of different boys because no one was having sex or kissing. It was just going out for sodas and getting to know people. It didn't seem like there was a threat." I think now we have more ideas of people having premarital and unprotected sex.

I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.

I think even probably the people we look up to the most, and think are on the Mount Olympus of actors - they're still experiencing nervousness.

I feel lucky to receive such critical attention and praise when you're in a show that's going to last a month, it's just easier when audiences are more receptive. I've done two new shows this year, so I'm always excited to work on something a little older, traditional and structured.

I quite enjoy a high-waisted cotton panty.