There are people a lot smarter than me investigating nature versus nurture who would have a lot to say about that, but I think it's an enormous privilege to be born into a family where my parents had enough time to read to me and listen to my stories and foster my imagination. It's a privilege to have time to investigate your imagination. And not to have, like, an amount of stress on you as a kid that prevents you from maturing creatively.

I find playwriting really painful. I love it, or I wouldn't do it, but I don't love the theater as much as I love movies.

I don't love the word "quirky." I think it's a word that's a catchall. It's a word that doesn't stand in empathy with the person, it stands in judgment of them. It's a very externalized word.

I wouldn't wear makeup, and I didn't like to let boys open the door for me because I felt like it was sexist.

I'm pretty sure I ate ants in Mexico.

You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.

Wildlife was the only thing we've written together with Paul Dano. It's based on a book by this author Richard Ford, who just published a memoir about his family that's really wonderful. Paul fell in love with his book, and we optioned it ourselves, and he took a first pass at writing it. He asked me for notes, and then our note session devolved into an argument really quickly.