Every piece of writing I've done has been something where I feel like I need to get this out of me, whether it's a seed of something personal or an anxiety that turns into a play or an image that's in my mind and haunts me that I'm trying to investigate.

I think a large part of an actor's job in preparation is just making the words feel organic to them, and obviously they came out of me, so they felt organic to me already. And then I think then it was all about clearing away all the other voices.

I think action should be revealed through character, so if you have a plot problem, it's probably a character problem.

I'm klutzy, and I don't embarrass easily.

I was a vegetarian for a really long time, from 7 to 23, so I feel like some things aren't that weird but they seem weird to me, like blood sausage or snails. Those are things I've eaten now that, years ago, it would have been totally improbable that I would have eaten.

Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.

Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.