Something about photography is tied to a very specific relationship with the material world. It doesn't have to be, but the way I practice it, it is. So there's an act of observation, but it's not an act of objective recording. It's about framing something and seeing it and understanding that it's relational.

We're all busy. It's a very fast-paced world. And art - and by that, I mean culture in a wider sense - is one of the few spaces where we're allowed to look and think without an immediate response or reaction.

I think making things that appear simple is incredibly hard.

I'll finish a body of work and think, "Okay, I got nothing. That was it. I'm done." And then you'll turn a corner and be like, "Oh my God!" And it keeps happening. I feel so lucky.

I'm always amazed at how people make work no matter how intense the pressure.

I choose to work behind the camera. And I kind of want to make the work and then run away. The presentation of myself really feels complicated for me.

Something about photography is tied to a very specific relationship with the material world. It doesn't have to be, but the way I practice it, it is. So there's an act of observation, but it's not an act of objective recording. It's about framing something and seeing it and understanding that it's relational.