I'll finish a body of work and think, "Okay, I got nothing. That was it. I'm done." And then you'll turn a corner and be like, "Oh my God!" And it keeps happening. I feel so lucky.

Something about photography is tied to a very specific relationship with the material world. It doesn't have to be, but the way I practice it, it is. So there's an act of observation, but it's not an act of objective recording. It's about framing something and seeing it and understanding that it's relational.

I really loved music and went to a lot of clubs to see bands and dance. I loved going out.

I don't quite understand how a generation and a half after the Second World War we've gotten where we are now.

There's a desire for me in the work, even when I'm looking at the past, to be looking from the present. It's to be here now. It's looking in the present tense.

There's a lot of psychological material that you inherit from your family.

I never heard the term "art world" until I was in my thirties, and I was like, "What are you guys talking about?" It's the world, and we all live in the world!