You need to have your eyes open because it's really scary what's happening.

Something about photography is tied to a very specific relationship with the material world. It doesn't have to be, but the way I practice it, it is. So there's an act of observation, but it's not an act of objective recording. It's about framing something and seeing it and understanding that it's relational.

I'm always amazed at how people make work no matter how intense the pressure.

There's a desire for me in the work, even when I'm looking at the past, to be looking from the present. It's to be here now. It's looking in the present tense.

Making work for me is being in the world, but it's also being specific about being in the world. I'm interested in this increasingly rare space of contemplation and taking the time and energy to be thoughtful.

I like getting stuff out of the way so you can see something clearly, see it sharply, have it be new again.

I never heard the term "art world" until I was in my thirties, and I was like, "What are you guys talking about?" It's the world, and we all live in the world!