I'm in all of my work, and there's nowhere to hide when you make work.

I choose to work behind the camera. And I kind of want to make the work and then run away. The presentation of myself really feels complicated for me.

The world feels overwhelming to me on every level. Just the number of organisms that live on this planet. Our politics, our violence, psychology, emotions; there's just a lot going on, right?

I'm always amazed at how people make work no matter how intense the pressure.

There's a desire for me in the work, even when I'm looking at the past, to be looking from the present. It's to be here now. It's looking in the present tense.

I'll finish a body of work and think, "Okay, I got nothing. That was it. I'm done." And then you'll turn a corner and be like, "Oh my God!" And it keeps happening. I feel so lucky.

What attracts me in photography is not so much a fine arts approach, but rather photographs as documents... All the ways in which human beings have documented the world in an attempt to order it, in an attempt to consume it or rule it or hang on to it in some sense.