It's insecure, and it's immature.

There was this book that Judi Dench wrote that said there was a moment where, before an actor can be this or be that, the actor must simply be. I thought that to have absolute presence was to absorb everything that’s thrown at you.

I felt a combination of happiness and humility [ to People Magazine's 100 Most Beautiful People ]. At the same time there's a lot of pressure, because people can approach you whose intentions aren't in the best place, and they can say things that are very hurtful. And on one of those days when you wake up and you just go and get your coffee without worrying about looking your best, you make yourself vulnerable to someone who'd say something like, "You look awful for being on the Top 100 list."

Not to settle. If you're not happy with a person, leave. And wait until you find that one person who makes you feel good about yourself every single day and is not expecting you to change, but to grow.

The biggest battle that I have is being a woman in the world. That takes center stage for me.

Every character has their reasons - even the characters who do dumb things.

It's important for a director to provide as much information, especially when we're working with things that we have to conceive out of thin air. You can't just expect an actor to understand: 'Oh, there's a dinosaur coming at you". OK, so I'm going to automatically know how big it is and what it sounds like? I need details. How close does he get to me? How tall is he? What will the impact be of his cry when he's screaming at me or when he's blowing smoke or air in my face?