It's important for a director to provide as much information, especially when we're working with things that we have to conceive out of thin air. You can't just expect an actor to understand: 'Oh, there's a dinosaur coming at you". OK, so I'm going to automatically know how big it is and what it sounds like? I need details. How close does he get to me? How tall is he? What will the impact be of his cry when he's screaming at me or when he's blowing smoke or air in my face?

On the basis of being a woman, by playing an alien, I avoid playing someone's girlfriend here on Earth because that's a bit of a canker sore.

I always strive to keep a balance with my fears. I don't like to be ruled by them. At the same time, I don't like the idea of living my life totally free of any fears. I like having that moderation.

I don't understand labels. I don't need anybody to tell me I'm Latina or black or anything else. I've played characters that were written for Caucasian females, I just want to be given the same consideration as everybody else, and so far that has been happening.

As an artist, I like working with filmmakers that have the balls to kind of imagine the unimaginable. Those are kind of the radicals that I identify with.

You need one hundred percent commitment; you have to be willing to wake up every morning knowing you're going to [practice] eight hours straight.

I love being in space. I love being challenged by great roles that a company like Marvel creates amazing movies that no only give audiences an adventure but also give us as artists an opportunity for us to be challenged to embody amazing, multilayered characters.