I work almost completely year-round, since I was 18 or 19. It's nine months a year, and then you're out of town, (there are) crazy hours and all of the things that go with filmmaking, which is a pretty all-consuming business, although I'm very blessed to be a part of it.

That's one of the most exciting things for me about listening to records: It's a moment in time, and the less it's messed with the more powerful it is. I wanted at least one song on the record to be just completely about the moment.

That people equate being girlie with being nonthreatening … I mean, I can't think of a more blatant example of playing into exactly the thing that we're trying to fight against. I can't be girlie? I think the fact that people are associating being girlie with weakness, that needs to be examined. I don't think that it undermines my power at all.

In making a record there are so fewer people involved - at least in our case. There were no more than three or four people in the studio at once. So I really feel like I can stand by everything on the record and say this is something that I personally endorse.

Proving people wrong is probably my favorite thing to do.

There are a million examples of not feeling the jazz, but using the jazz.

Anyone who knows me knows that I am really into hair. I'm a real girly girl and love doing my hair and experimenting with different styles.