My sister and I do to what we love to do and do what we want to do, so that sort of started us off having a sense of 'Do this because you love it' not 'Do this because you want to be famous.'

There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.

I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.

I'm not really that interested in pandering to an audience of people that are going to judge me before they hear me. If they hear it and don't like it, that's totally fine.

If you're in the public eye and you have young girls who look up to what you do, they're going to look to you for certain cues, so you have to take that as a responsibility, whether you think you deserve it or not.

It's great, because we've had some really great people playing with us who really have studied the record and been able to recreate a lot of what was done. But I would need a choir of eight, probably, to do all of the backup vocals.

After staring at origami directions long enough, you sort of become one with them and start understanding them from the inside.