Quotes About Acoustic

I've found that since I've been playing the acoustic, listening to a horn player has left me thinking, well, what can I do with that? But somehow piano players, I feel more of a connection to , now that I'm using the acoustic.

I'm glad I can do both full-band electric and solo acoustic performances. It's nice to have contrast, so if you get fed up with one, you can just switch to the other one. It's great to go to a town and play an acoustic show, and then you can come back a year later and play electric, and the show's really fairly different. The repertoire will be 50 percent different. The musical energy is completely different.

I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.

Inspiration and stealing are two completely different things. If somebody wants to make a song like "Stairway to Heaven" and writes a song on acoustic guitar, Led Zeppelin does not own every song that's on acoustic guitar for the rest of time.

One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.

I trust microphones, speakers and recordings less and less, and no longer buy into the idea that I can recreate at home, or in my earphones, the experience of hearing live acoustic instruments. The orchestra is already a set of speakers that react differently to each player, each room and each concert - it's that high level of uncertainly and unrepeatability that I like. The music is just soaked into the walls of a room straight from the instruments - and it's a one-off deal. The alternative - left speaker, right speaker - is kind of a compromise.

My grandfather gave me my first guitar, an old acoustic with palm trees and dancing girls painted on it

Sting I've seen a few times, and he really inspired me in the sense that he breaks the songs down a lot and will take a different approach. He'll take an acoustic approach to them; he'll rearrange them for the live stage.

I went to high school right outside Dallas, and (songwriter and performer) Michael Martin Murphey was a senior there when I was a sophomore or junior, really into folk and acoustic music. Larry Gross, who's the host of "Mountain Stage" on public radio, and B.W. Stevenson, also a musician, were there at the same time, too. Michael was a big inspiration -- through him I discovered Woody Guthrie, Dylan, Jimmy Rogers. Then I ran into Jerry Jeff Walker there in Dallas back when he was just a folk singer. Those are my earliest influences.

If your going to learn to play lead guitar, get an electric guitar .. it doesn't have to be an expensive one .. acoustic guitars aren't good for learning lead, because you can't play up very high on the neck and they take heavier-gauge strings which makes it hard to bend notes

Ive also just come off a year and a half playing acoustic shows which is fantastic for the hands, and changes your head a little bit.

A few years ago I had a weird relationship with performing live. I didn't enjoy it as much because the nerves took over. My first ever gig was with Disclosure at Bestival. There were so many people, thousands and thousands of people. It's been an amazing start to my live shows, to experience that type. My only aim when I perform with those guys is to make sure the crowd has the best time. You hype them up. The energy is crazy. It's completely different, but I need both of them because I love dance music, but I also love soul music and slower, acoustic stuff.

So when I was working with Amy Winehouse on "Back To Black," you know, she had all these beautiful songs, incredibly well-written and just her on an acoustic, nylon-string guitar. And she'd play them for me, and then I would kind of drum up my idea of what I thought - make a demo with what I thought the drums should be doing, the guitars - like, quite a crude demo.

Write great songs that sound amazing if sung and played on the piano or acoustic guitar. Always encourage sing-alongs! Be prolific! Say "Yes" to new collaborations because you never know where it could lead.

I always lived with guitarists. When they would leave, I would just pick up their acoustic guitars and start doing finger picking and write.

After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'

When I was a little kid and I heard a song I liked on TV, I would jump up and run to the piano to try and figure it out by ear. When I was 10 or 11, I built myself a drum kit in the garage made out of empty laundry detergent buckets, old lawn chairs, paint cans, and old trash cans. And around that time, my parents got me my first guitar. A baby acoustic. I jumped between all of these instruments constantly to satisfy the ideas I heard in my head. At this young age, I realized that music would play a huge part in my life.

I thought that it would be interesting to have a mirror and grab a light and shine it around in different ways. It's an analog to the acoustic reflections that we're going to be trying to activate as well.

My music doesn't really sound like punk music, it's acoustic. And it doesn't really sound like folk music 'cause I'm thrashing too hard and emoting a little too much for the sort of introspective, respectful, sort-of folk genre thing. I'm really into punk and folk as music that comes out of communities and is very genuine and very immediate and not commercial.

When I was playing with synth players, I was still within a conceptual framework of playing music. When I started playing solo, I became much more aware of the acoustic phenomena that the instruments were producing.

Linguistic sounds, considered as external, physical phenomena have two aspects, the motor and the acoustic.

I really appreciate when someone can blow me away with live acoustic blues

If you play acoustic guitar you're the depressed, sensitive guy.

Beyond the Thunder is the closest I've recorded to an acoustic thing.

"Acoustic ecologist" is basically a fancy name for someone who tries to become a better listener. Not just listening to those thoughts, ideas, and productions of human intention, but listening to places - whether it's an urban environment, residential, industrial, or even the farthest corner of the world, in one of our last great quiet places where we can listen to the pure sounds of nature without any human-caused noise intrusions.

When I'm writing with just an acoustic guitar, it can be for anyone.

When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass.

There' something about universal truths with the simplicity of the acoustic guitar. You can take it anywhere and it helps me reach listeners of all ages and walks of life.

In the early 60s, folk music seemed to be very popular. In the early 70s, people like James Taylor, John Denver, Jim Croce and Cat Stevens brought back the interest in acoustic music. Today, we don't hear anything.