Quotes About Acoustic

I was being musically mentored by a lot of people who were obviously more talented and skilled than I was, and I thought that I would just kind of learn the ropes of songwriting there - like how to do acoustic, country-esque songs, which I like because there's so much story in them.

My grandfather gave me my first guitar, an old acoustic with palm trees and dancing girls painted on it

It's important to keep your creative muscle strong and working. My most inspiring method though is just sitting down with an acoustic guitar and coming up with melodies. It's what I've been doing nice I was nine years old.

I don't play a lot of instruments so when it comes to the song writing process I don't have a lot to do with that. A lot of times it's just acoustic guitar and a small riff that produces a song. Ultimately you want to write a song that people are going to enjoy and that you love to play, most importantly you have to write it for yourself first.

When I can do an acoustic set, I can sit down and sing. And then when I have a huge arena full of people, there's nothing like that. It's the coolest feeling in the world, but I also like to play small intimate shows because I feel you can connect a little more. And that's something I had to learn - how to connect to a big audience versus the small one.

Ive also just come off a year and a half playing acoustic shows which is fantastic for the hands, and changes your head a little bit.

Did Muddy Waters play an acoustic? Well of course he did. But did he turn his back on being able to plug it in and play louder? No, he plugged in and turned it up and got miles and miles ahead of the game in one fateful act of just plugging in.

Sitting around home I mostly play acoustic. I've got seven or eight guitars of various sorts, including a baritone. Sometimes at home, because a guitar is just lying around, that's the guitar I pick up rather than actually choosing something. I try to plan ahead for my laziness by leaving interesting things scattered about. If I leave a baritone guitar lying around, that's the one I'll pick up, and I'll start writing baritoney things.

It's hard to go out in front of people with an acoustic guitar and improvise for 30 or 40 minutes, but I had a compulsion to do it. I just had to in a way that I can't really explain.

I do some solo, acoustic stuff, but I also like plugging in my electric guitar and playing loud with a band.

I was very pleased when PRS presented me with my SE Angelus acoustic, a beautiful guitar of stunning quality. It was in response to the challenge of building a guitar that shared the integrity and attention to detail that the Alex Lifeson Private Stock Angelus possesses in a package more broadly accessible. The SE Alex Lifeson Thinline is that model. Carefully selected materials, expert craftsmanship and a smart approach to concept resulted in a guitar that is beautiful to look at and rewarding to play.

I always lived with guitarists. When they would leave, I would just pick up their acoustic guitars and start doing finger picking and write.

I honestly and truly love and believe in what I'm making, and it's not a joke, whereas some people would take a singer-songwriter sitting behind an acoustic guitar as sincere.

You just make different music on a computer. And you can make wonderful music on a computer, but don't pretend that the machinery is transparent. It makes as much difference to what you're doing as it does if you play an acoustic guitar as opposed to a kettledrum. You're not going to make the same music.

I think I was around 10 or 11 years of age when I got my first guitar, but I can remember being as young as 3 or 4 watching my father jam on acoustic to his favorite rush and Jimmy Hendrix albums so I have always been around music.

People think of songwriting as a very personal thing: A guy gets up there with an acoustic guitar and he sings his heart out, bares his soul.

But the reality is when you write a song, you should be able to strip away all the instruments and just have a song right there with an acoustic guitar and a voice, and the song should be good.

I went to the zoo one day and saw a chimp playing with a beat-up acoustic guitar in a way I had never seen before. Instead of using the pick the chimp was banging the neck and tapping it with its fingers. I knew the chimp was on to something so I practiced this new technique in my room for hours until I'd perfected it.

I really enjoy playing solo acoustic. I think it's good for me as a songwriter to stay in touch with what it takes to make a song work by yourself.