Quotes About Acting

Acting is not about competing. Acting is about cooperating. Acting is about collaboration. It's about your utility, your usefulness, your capacity to add to the work that has already been done and will be done. You're just part of a team. I never feel competitive about acting.

I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.

I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting.

This city can be kind of brutal, so you see your dreams from every different angle, but ultimately it's about acting and if you enjoy acting, you will always enjoy acting.

Dance was one of the things that led me to acting even though I say I fell in love with acting fairly early on and its true but around 16 and 17 I got heavily into dance but I think I just came into it too late and I was never going to be really great at it so I let it go and the dance led to more acting classes.

Honestly, acting is the most work when you're unemployed. For me, the actual acting part is never hard. It's the politics and basically everything around the acting that is difficult.

What I've discovered is, really, acting is acting is acting. It's all the same. Seventy-five percent of the skills are the same in both media.

I think the best models are actors, you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition. Acting is a bigger step into modelling in a way. Modelling is easier when you don't look like yourself. When you look like a different person, you feel different. Acting goes deeper into that, you have to move and talk like that character. I love it.

Acting is always at the core of my life, but I'm also excited about producing. I'm excited about directing, and I have a life in the filmmaking world, and so I want to explore all aspects of it, not just the acting, but acting is the root.

I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.

Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.

I wasn't really driven to be an actor or anything, but in college I decided to study acting, much to my parents' disappointment. I attended Mason Gross School of the Arts at Rutgers where Bill Esper was, and that is where I really got hooked on the art of acting, and, almost, the chemistry of acting.

It was the moment I learned acting is not acting out. After that light went on, I spent the rest of my life trying to figure out how to make other people realize it.

I'm interested in the spirits of people. In the theatre, there's the acting part of acting - and I'm not saying that can't be great - and there's the essence. To explore that essence, you need a key, a look, a gesture, an insight that unlocks the person's soul.

Stage acting is for me the basic form of acting. If you make films all the time, you have so few possibilities to rehearse. And it's important to rehearse, because it gives you the possibility to try things which are not good!

Making a judgment, taking a stand and then acting against an injustice or acting to support excellence is the stuff of the everyman hero. If you are an aspiring artist and you wish to avoid “judgments,” you'll find that you have nothing to say.

I didn't even know what acting was at 11 years old. I truly believed that acting was hidden cameras everywhere. And I felt that these actors on the screen were somehow real people.

I think I'm a better actor now. I mean, I really think I know a lot about acting now. But I didn't know a lot about acting then, in 80's, and I never knew how to be myself. I never knew how to relax and just play it from me. I was always trying to deliver a line.

I don't see it as a form of healing, because if you have wounds that are bleeding I don't think acting will ever get them to stop. But I find acting is a form of illumination.

I enjoy them both [singing and acting] a great deal. I have a passion for both. Maybe acting just a little bit more because it's more of a challenge for me, while music comes so easily.

That's the one thing that's funny about going from modeling to acting. In modeling, you're supposed to think about what you look like all the time. When you're in front of the camera, if you're not considering that, God knows what the pictures will look like. With acting, you have to completely forget it.

Acting is telling the truth under imaginary circumstances. I cannot think of a worse way to describe acting. Also, I'm the worst liar ever.

Confidence. That's huge as an actor. Confidence can get you a long way. Maybe it's a cultural thing, being Korean, but my first reflex has always been to exude humility - but it doesn't help you in acting. For acting, humility isn't the best thing. It'll weaken your work. So it's a head game for me. "Can I really be confident in knowing my skill set is down? Can I perform like I own this role?"

The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.

Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.

I love the chameleon nature of this business [acting]. I always have. Sometimes I'm not as recognizable as somebody else and I may not have gotten a role, but for me, acting is not a competition. I've just kept my head down and kept working, and had the great pleasure of working with some amazing people and playing some extraordinary and extreme characters.

I wasn't acting on passion. I was simply acting.

I don't let it bother me too much if someone doesn't like me. I just figure there's no accounting for taste. It's not me, it's my acting. It's like if someone doesn't like someone's food, they just don't like my acting.

(The) process of acting is no different to conventional screen acting, in that it's providing a perfect interface between the director and the performer. So there's no sort of long way around a viral committee of animators.

[President Bush] recently challenged Iraqi soldiers still fighting U.S. troops like so: ... 'My answer is bring 'em on.' For those of you who may be criticizing Bush for acting like a movie cowboy, let me remind you. He's actually acting more like a movie cheerleader.

We [musicians] are comfortable in front of the camera doing music videos, and it's almost a form of acting when we're doing music videos. We're acting out our own thoughts and what we've written down on paper.

Acting is easier than skating in ia way and harder in other aspects. In skating, you get one chance, and with acting you get to do it over and over.

For me, I've never drawn a distinction between live-action acting and performance-capture acting. It is purely a technology.

I've never changed my approach to acting. I've always felt like I've gotten better. I think that all of us can get better. I feel like, in my acting, I'm better than I was three pictures ago. I think about it. I'm a slow study. It takes me a long time to grasp the material, in order to perform it. But when I come to the set, on the first day, I know the whole movie. That's why I have to start early.

The first acting I ever did was an Italian commercial. Once I did that, I said, 'this acting thing is awesome.'

I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.

I went through a phase where I was sick of acting, I didn't want to do it anymore, I was bored with it and then I tried directing a movie and I was like: "Shoot, get back over there!" It made me appreciate acting more.

I love acting. I love play-acting. I love pretending. I love telling stories so whether they be comedic or serious or whatever, it doesn't really matter to me. I enjoy telling a good story. I have it all in me.

For me, acting is like a therapy. I can express myself fully when I am acting and have blood in my veins. Even when I'm not working, I'm always living in my own world, imagining characters.

I learned much more about acting from philosophy courses, psychology courses, history and anthropology than I ever learned in acting class.

Ive had plenty of lessons about film acting and theatre acting.

I guess part of my ambivalence about pursuing music as well as acting is that acting is already one of the most difficult careers to create for yourself, I must be insane to embark on creating two careers in two of the most difficult fields. But I have really different ambitions with music; I just want to stay in love with music. I want it to continue to be a means of expression for me that feels like it's mine, and something that feels community-based.

Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.

When I finally decided to leave school and pursue acting, my parents didn't take it very lightly. My friends thought that it was the tackiest thing they'd ever heard of. Acting was really beneath them. They couldn't believe that I would want to become an actress. Not now, of course.

What I really like is the marriage of both [writing and acting] - for instance, with Postcards. I don't actually act in it, but I worked on it with Mike [Nichols] as I went along, creating the character, so it was a bit like acting for me.

When I'm acting, I'm in a different place, singing is the last thing on my mind, and when I'm on stage, there's no acting at all involved, not even presentation, it's just who I am.

Acting after being asked is compliance. Acting without being asked is kindness.

I never was disillusioned with acting because I love acting.