Quotes About Actors

You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.

Every industry, there are rogues and bad actors. There could be rogues and bad actors in journalism. Rogues and bad actors in medicine. Rogues and bad actors in the legal community.

An awful lot of actors who are considered very good actors are not very good actors. There are people who just strike gold, they have intrinsic talent, but the point is that if they did train, it would not inhibit them. If they were with a good teacher, it would only broaden them more.

It is true that as he film market in China has grown, actors' and actresses' compensation has grown quite a bit. Different actors have different kind of deals. Some take percentages, some sign contracts with a company, some take a simple cash payment. But the growth also means there are many more actors out there. Competition has gotten much stiffer, too.

Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.

I hate hearing about actors who don't like the show. There are so many actors out there who'd give their right arm for what I'm getting to do.

I'm a professional singer. I have a theory that all actors want to be rock stars, and all rock stars want to be actors. I spent my whole school life forming boy bands.

I left L.A. and moved to Cleveland for four years in the early 2000s or whatever. I came back and thought that everything had changed. I was like, 'Oh my God, I don't think I ever fit in here. And wait, who are all of these celebrities that are not actors? Where did all of the actors go?

I don't have a problem with big name actors coming into animation. It actually has been done for years and we are after all actors, it is just a different medium that requires a different technique.

There are a lot of things that dancers can do that actors cannot and actors can do that dancers cannot.

We have so much access to one another through technology and everything else, that we're very much used to people being real. When folks go on TV and they're basically acting - if they were good actors they'd be acting and paid for it for a living, but they're not good actors. When we see bad acting, it doesn't look like bad acting, it looks weird, and we are turned off by it. I'm not talking about anybody in particular, that's just politics right now. This generation, I feel like, has incredible bullshit detectors.

Actors want to work with you but they want you to do their thing. Actors, whom I love with a blind partiality, sometimes they want to be soloists in the symphony, not a part of the orchestra.

I've always felt there are three sexes: men, women, and actors. And actors combine the worst qualities of the other two.

Comedians are not usually actors, but imitations of actors.

Also, there's the caliber of actors that we keep getting. Lorraine Bracco plays my mom and Chazz Palminteri plays my father, and Brian Dennehy and Donnie Wahlberg have been on the show. And, we've got Billy Burke from Twilight. We've gotten all kinds of fantastic actors. That speaks for itself.

I can't wait to do a fully improvised script again, to find people who are really comfortable and into it. It's about the capabilities of the people you're working with, what are their strengths and weaknesses. Some of the most brilliant actors need the spine of the text to work off of, and there's no shame in that; they're actors, not writers.

I never said all actors are cattle; what I said was all actors should be treated like cattle.

Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.

It's very hard to find a good child actor. There are a lot of child actors out there, especially in America, and they're cute kids, but most child actors appear on sitcoms where their main role is to be cute and make funny little remarks.

So I'm always inspired by my fellow actors. And that's kind of a constant for me. I have huge respect for our profession and our craft. And I seek in my work to create connections, first for me with the character and then the character with the other actors, and then ultimately, all of us together connecting with the audience in a way that sometimes is subliminal, even.

You don't write for actors. Actors come for characters you've made up.

When I talk to Ryan Murphy or Ali Adler about my past or things in my personal life, occasionally pieces of that will end up in the script, and I think that's true of everybody. It's true of that entire writer's room, certainly of Ryan and Ali. I think that he writes really well for actors, for his actors, and he writes to their strengths. I always feel very well taken care of with him.

Listen, I like great actors. You can be a movie star without being a great actor - this has been proved several times - and I like my casts to have great actors. Acting is more important to me than being a star.

There are a handful of actors who sustain interest because it's exciting to watch them get better at what they do. I want to be one of those actors.

I started doing yoga in my 20s. I did teacher training, that was what I was going to do if acting didn't work out. I started teaching other actors right at the beginning of the yoga craze - people still thought it was a little weird, but a lot of actors I knew were getting into it and didn't want to look foolish in class. So I started teaching them!

Because national borders are eroding, because of the growth of non-state actors. It's a different kind of a world. We are tied down by a tiny little country - Iraq. It's amazing, given the disparity in military economic strength. It's a world where most of the big problems spill over national boundaries, and there are new kinds of actors and we're feeling our way as to how to deal with them.

I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.

I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.

Not that it entirely matters: There is a perception that all actors make their movies. A lot of people assume you're responsible. George Clooney told me actors get all of the blame and all the credit.

I know there are different kinds of actors, but I tend to have less effective relationships with actors who have a very private process - who really need to do lots of internal work, so that I become merely a witness until they're ready to share.

I like actors who are themselves. I know in America you like actors who change their nose or wear a lot of wigs, and they like to take pretty girls and make them super ugly.

Actors and actresses who say they never go to see their own pictures are talking through their hats. You don't have to be a Freud to know that the most fascinating person in the world - actors or anybody - is yourself.

There are three things that are important for a film. Number one is story, number two is story, number three is story. Good actors can save a bad script and make it bearable, but good actors can't make a bad script good - they can just make it bearable.

I think that most actors, and they're a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.

I don't know how other people perceive the lives of actors, but my life is fairly ordinary. I go to work, I come home, I put my kids to bed. If I'm home in time for dinner, I have dinner, and then it's bedtime.

Children accept their world as the world. I grew up like kids that I went to school with. Their parents were either shrinks or actors.

Allison Janney is the best actor on the series.Allison is one of the few actors I ever worked with who is incapable of hitting a false note.

If the goal is to get the best artists, actors, and filmmakers in the world to create the best movies, Hollywood does a decent job. And I think no one would disagree with me that it also makes a ton of bad movies and employs a bunch of hacks.

What I've grown to hate in my 'old age' is shouting directors. I find anybody who screams and shouts to be difficult to work with... especially because the people who scream and shout tend to do it at runners, and not at the main actors. They make a great amount of noise and it's often at someone who is an easy target. I love working with people who are calm, even if my role is peripheral. I like people who realise that this is just a film... that we're not going over the top in No Man's land and screaming for our lives. There's just nothing to be gained by volume.

I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.

I think American actors are much more intimidated by Shakespeare.

God bless him, I mean a lot of times you get non-actors on a set and they get really self-conscious, especially when doing something crazy like singing along with Phil Collins. They get sort of reserved and self-conscious. Mike [Tyson] completely trusted Todd [Phillips] and totally put everything into it.

I have mentored two young aspiring actors and I wish that I had known I could look for a mentor because it would have been a lot easier to be able to ask those questions to someone who had gone through it already.

It's lovely to work with a group of actors who make you laugh and smile.

With a profound first-hand knowledge of participants, encompassing linguistic competence, and engaging prose, Padraic Kenney recreates the simultaneously serious and playful currents of East Europe's overthrow of repressive state socialism. What an invaluable guide to the elusive exhilaration that motivated the actors and captivated all of us who followed the transformation with such hope! We can appreciate neither the ebullience of 1989 nor the disappointment with the quotidian reality that followed without understanding Kenney's 'carnival.'

I have like 10 actors and 100 aliens in the film [Valerian]. And they come from the four corners of the universe. Some of them are liquid. Some of them are just [so visually] crazy.

Well, I’ve been in several films including documentaries, but the big blockbuster, I was hired as advisor to the actors, I was trying to make Jesuits out of them.

With a screenwriter and with the actors there is always an environment of trust. You can say anything, all your secrets, and you know that it won't get out of that room.