Quotes About American

It's very much related to the American tycoon. To William Randolph Hearst, Vanderbilt, Rockefeller, that whole stratum of American acquisitive evil. Monopolistic, acquisitive evil. Ugly evil. The ugly American. The ugly American at his ugly worst. That's exactly what it is.

If one asks me the meaning of our flag, I say to him: It means all that the Constitution of our people, organizing for justice, for liberty, and for happiness, meant. Our flag carries American ideas, American history and American feelings. This American flag was the safeguard of liberty. It was an ordinance of liberty by the people, for the people. That it meant, that it means, and, by the blessing of God, that it shall mean to the end of time!

There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.

We completely condemn this very dangerous attack, and I convey my condolences to the American people, to the American president and to the American administration, not only in my name, but on behalf of the Palestinian people.

I am honored to have Ajamu Baraka as a running mate. I think he brings enormous credibility in the disenfranchised communities, not just African American but Latino, Asian American and Native American. He is a recognized advocate for racial justice, economic justice and human rights, and I think this conversation is only just begun. It is very important.

Some segments within the American government orchestrated the attack to reverse the declining American economy, and its grips on the Middle East, in order to save the Zionist regime The majority of the American people as well as most nations and politicians around the world agree with this view.

Before any final solution to American history can occur, a reconciliation must be effected between the spiritual owner of the land - American Indians - and the political owner of the land - American Whites. Guilt and accusations cannot continue to revolve in a vacuum without some effort at reaching a solution.

It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.

I cannot think of anything characteristically American that was not produced by toil. I cannot think of any American man or woman preeminent in the history of our nation who did not reach their place through toil. I cannot think of anything that represents the American people as a whole so adequately as honest work.

American imperialism has suffered a stunning defeat in Indochina. But the same forces are engaged In another war against a much less resilient enemy, the American people. Here, the prospects for success are much greater. The battleground is ideological, not military. At stake are the lessons to be drawn from the American war in Indochina; the outcome will determine the course and character of new imperial ventures.

America's exceptionalism, American leadership, the American model, the American values are not [first with Donald Trump] - they're something that end at the border.

Trump and I have a lot in common, and that is a belief in the American dream because we both have lived it. I think it's what animates our president-elect more than anything else, is a belief in the boundless potential of every American to live the American dream. And, I think it comes from the fact that we both grew up in it, and both saw it. And in our own ways, we both lived it.

The United States is an illegitimate country, just like Israel. It has no right to exist. That country belongs to the Red man, the American Indian... It's actually a shame to be a so-called American, because everybody living there is a usurper, an invader taking part in this crime, which is to rob the land, rob the country and kill all the American Indians.

It seems to me that the American popular song, growing out of American folk music, is the basis of the American musical theater… it is quite legitimate to use the form of the popular song and gradually fill it out with new musical content.

The power of these recommendations is that they come from leaders representing a broad spectrum of religious conviction. At the table were people with Christian, Jewish, Muslim, Hindu, Native American and humanist perspectives, as well as individuals from advocacy groups ranging from the American Civil Liberties Union to the American Center for Law and Justice.

The reason I wouldn't dare to write a Western is simply because that seems to be so much a part of American culture. Maybe if I want to write a Western enough I should try to overcome that fear, but I'll certainly feel like I'm trespassing. I feel that that is so much a part of American foundation myth, it's part of the myth of America, the American vision of what America is, which people have glorified and then challenged and then vilified.

We are developing in the United States a huge underclass of unwanted people, many of them the descendants of the exploitation of the South American and Latin American countries by American piratical capitalism. Not all capitalism is piratical, but some of it certainly is. And we have a fantastic gap beginning to exist between rich and poor.

Every time I make an American film I just trust the American director and American writer. Myself, I would never make this kind of film. For me, those kinds of films are ridiculous. They don't make sense.

In the United States, the average is two children per family, while in Africa it is five children per family. On the surface, the statistic seems to indicate that Africans are having way too many kids and are taxing the Earth's resources, while American kids are born into families who are able to take care of them. However, the average American child consumes roughly the same resources as fifteen African children. So when an American family says they only have two children, they are actually consuming the resources of an African family of thirty children!

I'm from a Lebanese-American family. And I've been had lot of contacts and - with Arab-American community, especially Arab-American filmmakers and actors and so forth. It's a community that, a minority that really hasn't been heard from enough. And so many of the stories that are told about Arab-Americans these days are just negative portrayals in the news, but also in television and film. So we're - we set out to try and offset some of those stereotypes.

Our attitude toward our own culture has recently been characterized by two qualities, braggadocio and petulance. Braggadocio - empty boasting of American power, American virtue, American know-how - has dominated our foreign relations now for some decades. Here at home - within the family, so to speak - our attitude to our culture expresses a superficially different spirit, the spirit of petulance. Never before, perhaps, has a culture been so fragmented into groups, each full of its own virtue, each annoyed and irritated at the others.

I am an undiluted admirer of American values and the American dream and I believe they will continue to inspire not just the people of the United States but millions across the face of the globe.

If I may, to underline first of all that I am very much impressed that in spite of the very tough election campaign, this transition period in the United States of America follows democratic principles and is all about the American people. It's about the destiny of the American people.

We can have no '50-50' allegiance in this country. Either a man is an American and nothing else, or he is not an American at all.

The writer in me can look as far as an African-American woman and stop. Often that writer looks through the African-American woman. Race is a layer of being, but not a culmination.

A 'death mirror' held up to American culture - Brando, bikes and black leather; Christ, chains and cocaine. A 'high' view of the myth of the American motorcyclist. The machine as totem from toy to terror. Thanatos in chrome and black leather and bursting jeans.

Al-Awlaki was born here, he is an American citizen. He was never tried or charged for any crimes. No one knows if he killed anybody. We know he might have been associated with the underwear bomber. But if the American people accept this blindly and casually that we now have an accepted practice of the president assassinating people who he thinks are bad guys, I think it's sad.

The American people need to know the truth. The American people need to see the truth. In a democracy, letting the people know the truth is the essence of what it means to be free.

It's not that I don't like American pop; I'm a huge admirer of it, but I think my roots came from a very English and Irish base. Is it all sort of totally non-American sounding.

I love rapping. I do. My styling's similar to Missy Elliott - I think she's so dope. In a weird way, that's how I first learned the American accent: doing American rap songs.

I discovered myself in the back-and-forth and in the hyphenated Arab-American way, and one of the things that I discovered was that I really didn't fit in anywhere. So in the US, I was considered an Arab - because I grew up in small-town Ohio - and in the Middle East, I was considered the American.

The American consumer is also the American worker, and if we don't do something to protect our manufacturing base here at home, it is going to be hard to buy any retail goods.

I think there is an American attitude that is very hard to break which is "We're great. Who wouldn't want to be like us? Who wouldn't want to have the benefits of our largesse, handing out aid and having American companies based in their countries?" and "our culture is great," and all that. It's hard for us to imagine ourselves as not being the greatest country on earth.

There clearly is a serious race problem in the country. Just take a look at what's happening to African American communities. For example wealth, wealth in African American communities is almost zero. The history is striking.

Since we launched the original 'Pop Idol' in England, I've remained close with Simon Fuller. Working as executive producer on 'American idol' for its first seven years not only was an inspirational journey into the heart of American pop culture, it opened my eyes to the untapped potential of the incredibly dynamic young people in this world.

Painters, especially American painters since the Second World War, have been much more troubled, beset by formal perplexity, than American writers. Theyve been a laboratory for everybody.

I drive Fords, and I've driven American cars all my life, and I want to have a strong American manufacturing sector, especially in automobiles.

All you need to understand is that the officer carries with him the power of the American state and the weight of an American legacy, and they necessitate that of the bodies destroyed every year, some wild and disproportionate number of them will be black.

When I was first writing about Japan, it was at the peak of the Bubble. Bubble popped, but they kept on going. Japanese street style feeds American iconics back into America in somewhat the way English rock once fed American blues back into America.

Great American union rules with a fist, a smile, and a gun. Great American napalm lights up the sky like the sun.

Being American is to eat a lot of beef steak, and boy, we've got a lot more beef steak than any other country, and that's why you ought to be glad you're an American. And people have started looking at these big hunks of bloody meat on their plates, you know, and wondering what on earth they think they're doing.

I will speak until I can no longer speak. I will speak as long as it takes, until the alarm is sounded from coast to coast that our Constitution is important, that your rights to trial by jury are precious, that no American should be killed by a drone on American soil without first being charged with a crime, without first being found to be guilty by a court.

I think our time should be spent on talking about those things that unite us as Americans and deliver for the American public. And I think that is something that is a better use of everyone's time, and this is going to further the cause of the American people a lot more than focusing on divisions.

It's the first thing liberals notice about people is what group are you in! "What group do I put you in? Are you a woman? Are you lesbian? Are you straight? Are you Native American? Are you African-American? Are you a mix? What are you?" That's how they see people, because that then identifies the victim status they hold. Victims of what? Victims of America! All these people are victims of America, "the white, patriarchal majority." They're all victims of America, as the left sees them.

I do believe that freedom isn't free - but today the corporate and political right wing is trying to cheapen this truly American value. They've been cynically using the word 'freedom' to rally the American public against its own best interests.

My closest friends from Israel make fun of me for becoming an American, and my American friends make fun of how Israeli I am... I can't win.

I'm a black American playwright. I couldn't be anything else. I make my art out of black American culture; they're all cut out of the same cloth. That's who I am; that's who I write about.

It is each American's constitutional right to marry the person they love, no matter what state they inhabit. No state should decide who can marry and who cannot. Thanks to the tireless work of so many, someday soon this discrimination will end and every American will be able to enjoy their equal right to marriage.