Quotes About Buildings

We shouldn't just look at new buildings but at existing stock building because that's an even greater problem than the new buildings being built. The renovation of existing buildings and making them green is just as important as designing new green buildings.

It is absurd and anti-life to be part of a system that compels you to listen to a stranger reading poetry when you want to learn to construct buildings, or to sit with a stranger discussing the construction of buildings when you want to read poetry.

Where can we find greater structural clarity than in the wooden buildings of the old. Where else can we find such unity of material, construction and form? Here the wisdom of whole generations is stored. What feelings for material and what power of expression there is in these buildings! What warmth and beauty they have! They seem to be echoes of old songs.

In some cities they tear down buildings to save taxes. They might try tearing down some taxes to save buildings.

Everyone must be clear that business as usual is not an option. Most of us live in buildings erected long before we were born and our successors will have to live with the environmental consequences of the buildings we construct today. It is vital that we minimise harmful impacts for those who come after us

I graduated from Wesleyan University with a b.a. in art. I was really headed toward an architecture degree, but when I did the requirements for the major, I realized I was more interested in how people live in buildings than in making buildings. I was more interested in the interactions that happened inside the structures. So I got an art degree as a default position.

Your machinery is beautiful. Your society people have apologized to me for the envious ridicule with which your newspapers have referred to me. Your newspapers are comic but never amusing. Your Water Tower is a castellated monstrosity with pepperboxes stuck all over it. I am amazed that any people could so abuse Gothic art and make a structure not like a water tower but like a tower of a medieval castle. It should be torn down. It is a shame to spend so much money on buildings with such an unsatisfactory result. Your city looks positively dreary.

I remember when Martin Luther King was assassinated and riots broke out in the city. We celebrated Palm Sunday on 14th Street. I have a memory of walking down the street with buildings smoldering, and soldiers and cops everywhere. Anyways, it [St. Stephen’s] was a church that really taught me the things I needed to learn to not go to church. But I think it is a church that does great work, I went to a wedding there three days ago.

Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets - as vast and indestructible as nature itself.

Human artifacts not only include material structures and objects, such as buildings, machines, and automobiles, but they also include organizations, organizational structures like extended families . . . tribes, nations, corporations, churches, political parties, governments, and so on. Some of these may grow unconsciously, but they all originate and are sustained by the images in the human mind.

My buildings are all on budget.

The greatest number of drug addicts are to be found in Teheran and in Karachi, not in the West. Not in New York believe it or not. It's the same with the roles of slavery, racism and imperialism in the world. These institutions were present in other cultures. However, it was Western civilization which did something about slavery, about racism and voluntarily dissolved its empires leaving behind a very positive legacy of institutions not to mention buildings and roadways.

If there were a major earthquake in Los Angeles, with bridges and highways and railroads and airports all shut down and huge buildings collapsing, I don't care how much planning you do, the first 72 hours is going to be chaotic.

Our cities with their swollen populations and cliff dwelling high-rise buildings are breeding places for loneliness. Neighborhoods crumble under the housing development bulldozers and families scatter in pursuit of jobs and professions everywhere. In a world of wheels, old and comfortable groupings of people have disappeared.

You have to give this much to the Luftwaffe: when it knocked down our buildings it did not replace them with anything more offensive than rubble. We did that.

I ran my own business when I was 19, buying condos and renovating apartment buildings.

Why does crime happen? Well, you might say that it's because youths don't have jobs. Or you might say that's because the doors of our buildings are not fortified enough. Given some limited funds to spend, you can either create yet another national employment program or you can equip houses with even better cameras, sensors, and locks.

I envision a day when every city and town has front and back yards, community gardens and growing spaces, nurtured into life by neighbors who are no longer strangers, but friends who delight in the edible rewards offered from a garden they discovered together. Imagine small strips of land between apartment buildings that have been turned into vegetable gardens, and urban orchards planted at schools and churches to grow food for our communities. The seeds of the urban farming movement already are growing within our reality.

I can see it. This one moment when you know you’re not a sad story. You’re alive. And you stand up and see the lights and the buildings and everything that makes you wonder. And you’re listening to that song in that drive with the people you love most in this world. And in this moment I swear… we are infinite.

Fifteen-year-old girls produce children with sixteen-year-old boys in the backseat of cars and in the stairwells of apartment buildings. Why can't two loving adults who have contemplated parenthood and are prepared to offer love, patience, and devotion come up with enough chromosomal matter to stick together and create a child?

What did I think of Princeton? Well, the answer to that question requires a story. When I first arrived, I looked around me at the Gothic buildings - younger, I later learned, than many of the mosques of this city, but made through acid treatment and ingenious stone-masonry to look older.

There are plenty of ruined buildings in the world but no ruined stones.

Many of the projects I'm most proud of are tall buildings, especially the housing projects. In New York I have two: one in Kips Bay and one at New York University. At that time, those projects were most challenging.

From this distance, in the dimness, the model looked surreal, made up of parts filled with buildings, bordered by long stretches of empty space. It reminded me of the way cities and towns look when you are flying at night. You can't make out much. But the places where people have come together, and stayed, are collections of tiny lights, breaking up the darkness.

Qatar does not have much history, it's a new emirate. So I couldn't draw on the history of the country; its history is really just being a desert. But I thought, the one thing I must learn about for this project is the Islamic faith. So I read about Islam and Islamic architecture, and the more I studied the more I realized where the best Islamic buildings were.

You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.

Most of the soap operas always use the Christmas special to kill huge quantities of their characters. So they have trams coming off their rails, or cars slamming into each other or burning buildings. It's a general clean-out.

I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.

Where does our investigation get its importance from, since it seems only to destroy everything interesting, that is, all that is great and important? (As it were all the buildings, leaving behind only bits of stone and rubble.) What we are destroying is nothing but houses of cards and we are clearing up the ground of language on which they stand.

Modernist buildings exclude dialogue, and the void that they create around themselves is not a public space but a desertification

I realized that were I to paint flowers small, no one would look at them because I was unknown. So I thought I'll make them big, like the huge buildings going up. People will be startled; they'll have to look at them - and they did.

Music was literally in the air at the time, the Vienna of 1780. Everybody played music, classical music. There were in fact so many musicians that in apartment buildings people had to come up with a schedule - you practice at 5 p.m., I'll practice at 6 p.m. That way the music didn't collide with one another.

And sometimes when I would get in the morning, when we'd go out - we'd see shrapnel and bits of stuff in the streets and bombed buildings, and - but I was evacuated a lot. Every time the blitz got heavy, my parents would take us off to the country.

As a child I drew objects that caught my eye outside the window of my room - the dry twigs, leaves and lizard-like creatures crawling about, the servant chopping firewood and, of course, and number of crows in various postures on the rooftops of the buildings opposite.

As far as I'm concerned, the world is composed of stories. For architects, the world is composed of buildings, for actors the world is composed of theatres, or whatever... For me, the world is simply composed of stories, when I look, that's what I see.

The fact is that people who strap bombs to their bodies to blow up families at a Bar Mitzvah in Israel, plant bombs at a nightclub in Bali, or slit stewardesses' throats and ram airplanes filled with innocent Americans into office buildings do not do so for any reason related to poverty. They do so because they hold evil beliefs and have deformed consciences

I'm battling monsters, I'm pulling you out of the burning buildings/ and you say I'll give you anything but you never come through.

Whatever the political injustices are that created an environment that brought this about, it was not Americans who flew those planes into those buildings. And we should remember that. The crimes against humanity were perpetrated by people who were Arab Muslims.

If you really love property, and buildings, lifestyles and how people live, that's a good reason for going into development.

One cannot completely avoid this landmark character with large buildings such as these. But the city itself is also gigantic.

I always look for nature or natural lighting within buildings and within rooms that has been done by somebody else to suit their needs. I look at it very closely as a photographic thing, then enhance it.

We shall not have succeeded in demolishing everything unless we demolish the ruins as well. But the only way I can see of doing that is to use them to put up a lot of fine, well-designed buildings.

I wish we could make buildings that could constantly explode and come back in different ways. The idea of a changing environment suggests that if your environment changes all the time, then maybe your ideas will change all the time.

All buildings, large or small, public or private, have a public face, a facade; they therefore, without exception, have a positive or negative effect on the quality of the public realm, enriching or impoverishing it in a lasting and radical manner. The architecture of the city and public space is a matter of common concern to the same degree as laws and language—they are the foundation of civility and civilisation.

There is a horrifying loneliness at work in this time. No, listen to me. We lived six and seven to a room in those days, when I was still among the living. The city streets were seas of humanity; and now in these high buildings dim-witted souls hover in luxurious privacy, gazing through the television window at a faraway world of kissing and touching. It is bound to produce some great fund of common knowledge, some new level of human awareness, a curious skepticism, to be so alone.

There is no reason to design buildings that are more basic and rectilinear, because with concrete you can cover almost any space.

In Harlem, for instance, all of the stores are owned by white people, all of the buildings are owned by white people. The black people are just there - paying rent, buying the groceries; but they don't own the stores, clothing stores, food stores, any kind of stores; don't even own the homes that they live in. They are all owned by outsiders, and for these run-down apartment dwellings, the black man in Harlem pays more money than the man down in the rich Park Avenue section.

The mental cognitive processes that we're targeting are ones that narrow human beings' repertoire and make it harder for them to learn to be more flexible, to take advantage of the opportunities in front of them. We can have something to help with in areas like child development or organizations and schools, or maybe even how peoples interact with each other, one to the other. We've taken the work into things like prejudice and stigma, because if we can't solve that we have planes flying into buildings. So it applies broadly because anywhere that a human mind goes these processes go.