Quotes About Buildings

There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.

We shouldn't just look at new buildings but at existing stock building because that's an even greater problem than the new buildings being built. The renovation of existing buildings and making them green is just as important as designing new green buildings.

It is absurd and anti-life to be part of a system that compels you to listen to a stranger reading poetry when you want to learn to construct buildings, or to sit with a stranger discussing the construction of buildings when you want to read poetry.

A country whose buildings are of wood, can never increase in its improvements to any considerable degree.... Whereas when buildings are of durable materials, every new edifice is an actual and permanent acquisition to the state, adding to its value as well as to its ornament.

Layering and changeability: this is the key, the combination that is worked into most of my buildings. Occupying one of these buildings is like sailing a yacht; you modify and manipulate its form and skin according to seasonal conditions and natural elements, and work with these to maximize the performance of the building.

In China I told pastors about how, in the West, we have these church buildings and how we go to services each week that last an hour or so. I told them how if we don't like the music or the message then we can go to different buildings and services... They all broke out into laughter. They thought I was the funniest guy they had ever seen.

Buildings for me represent opportunities of agency, transformation, and storytelling. They are not just artifacts. There is this big tradition of buildings-as-artifacts - constructed artifacts - but for me they are these incredible sites of negotiation.

There is a kind of virtue that lies not in extraordinary actions, not in saving poor orphans from burning buildings, but in steadfastly working for a world where orphans are not poor and buildings comply with decent fire codes.

We still have prostitutes standing on our corner, and people crapping round the back of buildings. The charms are still there.

Your machinery is beautiful. Your society people have apologized to me for the envious ridicule with which your newspapers have referred to me. Your newspapers are comic but never amusing. Your Water Tower is a castellated monstrosity with pepperboxes stuck all over it. I am amazed that any people could so abuse Gothic art and make a structure not like a water tower but like a tower of a medieval castle. It should be torn down. It is a shame to spend so much money on buildings with such an unsatisfactory result. Your city looks positively dreary.

Especially in urban areas, nobody cares so much [about castes], because you are forced to live in the same buildings. There is so, so little space. You can't be thinking about whether you are living in a street that has only Brahmins, or in a building that has been touched only by Muslims or Christians. You just live there, because that's the only place that you can find. So such distinctions just crumble away. There are people who maintain them, at all costs. But for the most part, it doesn't matter.

I live in the Village right near NYU, which is taking over most of the Village. I've lived there for most of my time in New York. One of the things I like about the Village is, it's considered the kind of area where you can't have skyscrapers or, actually, many tall buildings. So you can see the sky which, I think, is a benefit.

The people who run our cities dont understand graffiti because they think nothing has the right to exist unless it makes a profit... the people who truly deface our neighborhoods are the companies that scrawl giant slogans across buildings and buses trying to make us feel inadequate unless we buy their stuff.... any advertisement in public space that gives you no choice whether you see it or not is yours, it belongs to you ,, its yours to take, rearrange and re use.Asking for permission is like asking to keep a rock someone just threw at your head.

When science drove the gods out of nature, they took refuge in poetry and the porticos of civic buildings.

I saw my town as if I had just arrived. It was as if I was waking up. You see houses and buildings every day, and you walk by them on your way to something else, and you hardly see. You hardly notice they're even there, mostly because there's something else going on right in front of your face, But when the town itself becomes the thing that is going on right in front of your face, it all changes, and you're not just looking at a house, but at what's happened in that house before you were born.

It took me some years to clear my head of what Paris wanted me to admire about it, and to notice what I preferred instead. Not power-ridden monuments, but individual buildings which tell a quieter story: the artist's studio, or the Belle Epoque house built by a forgotten financier for a just-remembered courtesan.

What was new was the symbolic force of the targets struck. The attackers did not just physically cause the highest buildings in Manhattan to collapse; they also destroyed an icon in the household imagery of the American nation.

Conversion requires a subtler mind. Architects don't like it, architects want to create their own landmark buildings so that people a few years hence will say, 'Oh, that building there is being knocked down, who did that one?'

There is a deep human need for beauty and if you ignore that need in architecture your buildings will not last

The winter oak... is very useful in buildings but when in a moist place it takes in water to its centre... and so it rots. The Turkey oak and the beech both... take in moisture to their centre and soon decay. White and black poplar, as well as willow, linden, and the agnus castus... are of great service from their stiffness... they are a convenient material to use in carving.

Fifteen-year-old girls produce children with sixteen-year-old boys in the backseat of cars and in the stairwells of apartment buildings. Why can't two loving adults who have contemplated parenthood and are prepared to offer love, patience, and devotion come up with enough chromosomal matter to stick together and create a child?

There are plenty of ruined buildings in the world but no ruined stones.

Susan hardly had begun to slow down when Tera appeared from between a couple of buildings and loped over to the car. I leaned forward, opened the door, and she got into the backseat. I threw her the extra clothes I had picked up, and she began to dress without comment. It worked," I said. "We did it." Of course it worked," Tera said. "Men are foolish. They will stare at anything female and naked.

A world in which time is absolute is a world of consolation. For while the movements of people are unpredictable, the movement of time is predictable. While people can be doubted, time cannot be doubted. While people brood, time skips ahead without looking back. In the coffee houses, in the government buildings, in boats of Lake Geneva, people look at their watches and take refuge in time. Each person knows that somewhere is recorded the moment she was born, the moment she took her first step, the moment of her first passion, the moment she said goodbye to her parents.

Chicago's such a great city because it's got so many different brilliantly architecturally looking buildings, and you can really modify that city.

You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.

Every time I imagine a garden in an architectural setting, it turns into a magical place. I think of gardens I have seen, that I believe I have seen, that I long to see, surrounded by simple walls, columns, arcades or the facades of buildings - sheltered places of great intimacy where I want to stay for a long time.

The planes were hijacked, the buildings fell, and thousands of lives were lost nearly a thousand miles from here. But the attacks on the World Trade Center and the Pentagon were an attack on the heart of America. And standing here in the heartland of America, we say in one voice We will not give in to terrorists; We will not rest until they are found and defeated; We will win this struggle not for glory, nor wealth, nor power, but for justice, for freedom, and for peace; So help us God.

My buildings are like my children, so I cannot have favorites.

Toward the end of the Cold War, capitalism created a military horror: the neutron bomb, a weapon that destroys life while leaving buildings intact. During the Fourth World War, however, a new wonder has been discovered: the financial bomb. Unlike those dropped on Hiroshima and Nagasaki, this new bomb not only destroys the polis (here, the nation), imposing death, terror, and misery on those who live there, but also transforms its target into just another piece in the puzzle of economic globalization.

People need open space. People need to bring their children into an area where they can play without restriction." And I was told, "This is development." And I said, "That is not development, definitely not sustainable development, definitely not responsible development. People need fresh air. They can do without buildings. They can do without concrete. But they cannot do without fresh air.

The Victorian house and lots of other buildings weren't oppressive in themselves. They were often very airy and gingerbready and fancy. But they were associated with all this [Victorian] stuffiness.

Japans humid and warm summer climate, as well as frequent earthquakes resulted in lightweight timber buildings raised off the ground that are resistant to earth tremors.

I realized that were I to paint flowers small, no one would look at them because I was unknown. So I thought I'll make them big, like the huge buildings going up. People will be startled; they'll have to look at them - and they did.

Music was literally in the air at the time, the Vienna of 1780. Everybody played music, classical music. There were in fact so many musicians that in apartment buildings people had to come up with a schedule - you practice at 5 p.m., I'll practice at 6 p.m. That way the music didn't collide with one another.

There's no worse feeling than seeing my buildings and realizing the mistakes.

if they take half the buildings that they use to praise god and give it to the motherfuckers who need god we'd be 'aight

Radical Muslims fly planes into buildings. Radical Christians kill abortion doctors. Radical Atheists write books.

I feel this is very important for us to have serene buildings because our civilization is chaotic as it is, you see; our whole machine age has brought about a chaos that has to be somehow counterbalanced, I think.

Haiti is the kind of place that grabs your heart, and never lets go ... When you arrive in Port-au-Prince, the first thing that strikes you is how vibrant the colors are. Buses, buildings, fences, clothing, everything is brightly painted in primary hues. On closer inspection, you see the reality behind this brightly colored landscape: a dark, grinding poverty, the worst in the Western hemisphere.

A university is a reading and discussion club. If students knew how to use the library, they wouldn't need the rest of the buildings. The faculty's job, in great part, is to teach students how to use a library in a living way. All a student should really need is access to the library and a place to sleep.

Our roots are clinging, we shouldn't knock down so many old 'buildings.'

I am an architect. I try to feel the transparency in contemporary buildings and I try to understand the transparency in Zen poetry. I just want to mix all those things.

life's kind of like a painting. A really bizarre, abstract painting. You could look at it and think that all it is, is a blur. And you could continue living your life thinking that all it is, is just a blur. But if you really look at it, really see it, focus on it, and use your imagination, life can become so much more. The painting could be of the sea, the sky, people,buildings, a butterfly on a flower, or anything except the blur you were once convinced it was.

I have so much love for you, I could fill rooms with it. Buildings. You’re surrounded by it wherever you go, you walk through it, breathe it...it’s in your lungs, and under your tongue, and between your fingers and toes...” His mouth moved passionately over hers, urging her lips apart. It was a kiss to level mountains and shake stars from the sky. It was a kiss to make angels faint and demons weep...a passionate, demanding, soul-searing kiss that nearly knocked the earth off its axis. Or at least that was how Poppy felt about it.

What's somewhat puzzling is that Churchill himself knew what the reaction would be to any sort of aerial attack on cities, because in 1938 he said that in a future war British cities would be attacked by bombing, and that the response would be that all men would want to join the fight because they would be so incensed by this cowardly manner of attack. Which is a very natural response: when something drops on you from the air and blows up a bunch of buildings and kills people in their sleep, the reaction is going to be rage, confusion, and a search for something to destroy in retaliation.

Historically, a story about people inside impressive buildings ignoring or even taunting people standing outside shouting at them turns out to be a story with an unhappy ending.

If you want to learn about a culture, you look at what buildings the people lived in but you also want to know about their cosmos.