Quotes About Dance

You dance love, and you dance joy, and you dance dreams. And I know if I can make you smile by jumping over a couple of couches or running through a rainstorm, then I'll be very glad to be a song and dance man.

Do you know what I've learned? That although ecstasy is the ability to stand outside yourself, dance is a way of rising up into space, of discovering new dimensions while still remaining in touch with your body. When you dance, the spiritual world and the real world manage to coexist quite happily. I think classical ballet dancers dance on pointe because they're simultaneously touching the earth and reaching up to the skies.

This is your heritage,' he said, as if from this dance we could know about his own childhood, about the flavor and grit of tenement buildings in Spanish Harlem, and projects in Red Hook, and dance halls, and city parks, and about how his own Paps, how he had beat him, how he taught him to dance, as if we could hear Spanish in his movements, as if Puerto Rico was a man in a bathrobe, grabbing another beer from the fridge and raising it to drink, his head back, still dancing, still steeping and snapping perfectly in time.

Dance as if this is the last dance. Dance with abandon, holding nothing back. That will bring transformation to your being, and a possibility of transformation for other people too.

I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people.

Dance music-as I keep saying, you can dance to a windshield wiper... a windshield wiper that's fairly steady gives you a beat and all you need is an out-of-tune playing 'Melancholy Baby' and you've got dance music.

It's nice for me to have a ballet as a kind of platform for creativity, because unlike modern dance or contemporary dance or downtown dance, ballet is formalized, and there's something orthodox about it that I like. I like that there's less emphasis on subversion and innovation. I actually think that my musical vernacular or my musical voice is also less inclined toward innovation and subversion. I think I'm a traditionalist.

When I was 16, my friends and I were all starting to think about what we were going to do with our lives, and I started picturing myself majoring in dance at college traveling around with a contemporary dance company, and it didn't excite me as I thought it would all those years. I was just thinking about the things that I loved most about dance, which was entertaining and telling a story, and that's when I kind of opened my eyes again to acting.

Pina Bausch's motto was "Dance, otherwise we are lost." She really meant it, that dance was her answer to life and to the troubles and to the problems that can arise. That was her way to deal with everything, to dance.

Why do I dance? Dance is my medicine. It’s the scream which eases for a while the terrible frustration common to all human beings who because of race, creed, or color, are ‘invisible’. Dance is the fist with which I fight the sickening ignorance of prejudice.

So," says Lev, as casually as he can, "you wanna dance?" "Do you believe in the end of the world?" she responds. Lev shrugs. "I don't know. Why?" "Because the day after that is when I'll dance with you.

Dancing insists we take up space, and though it has no set direction, we go there together. Dance is dangerous, joyous, sexual, holy, disruptive, and contagious and it breaks the rules. It can happen anywhere, at anytime, with anyone and everyone, and it's free. Dance joins us and pushes us to go further and that is why it's at the center of ONE BILLION RISING.

We dance with women in groups, but it is very rare that you have a partner that is a woman. The dance world is very macho - woman, boy, always couples, and it's very standardized.

Except for the point, the still point, There would be no dance, and there is only the dance

Religion in the West has a very wrong connotation. It has almost reached to a point where the very word 'religion' creates a repulsion, where the very word 'religion' reminds one of dead churches and dead priests. It reminds one of serious looking people, long faces. It has lost the capacity to dance, to sing, to celebrate. And when a religion has lost the capacity to dance, to celebrate, to sing, to love, just to be, then it is no more religion - it is a corpse, it is theology. Theology is dead religion.

I do get one chance to dance [in GoF], I had to dance with Maggie Smith. That was the only dancing experience I had, which was actually quite enough really.

DNCE is “dance without the a.” It’s not a perfect word, and you don’t always have to be a perfect dancer to dance. Life is just sometimes not perfect.

I never studied dance, but if you look at 'Wild At Heart,' my mother saw that movie and said, 'You are a dancer. Look at how you're moving: all that strange energy is like modern dance.'

Dancing is a part of my life where when I don't dance I feel like there's something missing because I'm such a physical person who loves to express myself through dance, but I love to act. I love to sing. I love to entertain so if I'm passionate about a certain project, I wanna do it.

...there is a celebrated aphorism insisting that the best way to live is to 'work like you don't need the money, dance like nobody is watching, and love like you've never been hurt.'...After years of hearing and reading these lines I have decided to tell the truth: the original version is wrong. There is a grave error in the wording of this adage. The correct version should go as follows: Love like you don't need the money, Work like nobody is watching, Dance like you've never been hurt. See? Doesn't that make more sense?

Death had ruled my life till I met Lady Dance. Her dance had set me free.

Maybe we can use a metaphor for it, out of dance. I think for many years I was aware of the need, in dance and in life, to breathe deeply and to take in more air than we usually take in.

We listen. We listen. We move. We sit. It rains. The sun comes out. (there stands a friend) We listen. We laugh. We share. We sit. We dance. It rains. There stands a friend. We listen. We share. We sit. We dance. The sun comes up. There. I stand, a friend.

I miss the romance. I keep saying this over and over again, but dance follows music. And if the accent today is percussion and rhythm and loudness, then that is the way the dance numbers will be. But it is pretty hard on romance with seven guitars, three drums, and no melody instruments in the band.

Don't let some hell bent heart leave you bitter. When you come close to sellin' out reconsider. Give the heavens above more than just a passing glance. And when you get the choice to sit it out or dance, I hope you dance.

Sometimes you dance with a partner, and sometimes you dance alone. But the important thing is to keep dancing.

Look, spaghetti arms. This is my dance space. This is your dance space. I don't go into yours, you don't go into mine. You gotta hold the frame.

I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.

I'm weirdly flexible, so when I dance, I dance like a 17-year-old girl.

The first expression of religion was the dance, and the first motive of the dance was religion.

I do not try to dance better than anyone else. I only try to dance better than myself.

I used to dance when I was younger - ballet and modern dance.

I am too tall [to dance]. Tall people don’t dance. It’s just not right.

If you don't go to a dance you can never be rejected but you'll never get to dance either.

I could dance with you until the cows come home. On second thought I'd rather dance with the cows until you come home.

To understand what I am saying, you have to believe that dance is something other than technique. We forget where the movements come from. They are born from life. When you create a new work, the point of departure must be contemporary life -- not existing forms of dance.

When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the first lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.

The important thing is to know why we want to dance. We dance a solitude that we have inside us and cannot occupy with anything. This gap, that emptiness to which we put movement is the TANGO.

I enjoy the freedom of modern dance as well as the constraints of classical dance.

It's a great thing when a man knows how to dance, she said. When a man can dance, the world is his oyster." Adele, Henry's Mother

Saturday mornings in spring should always start with a jolt of dance by Paul Taylor performed by Taylor 2. The touring ensemble, an adjunct of the Paul Taylor Dance Company, offered a rare New York performance... It was an impressive event, presented by a group of highly individualistic dancers.

When I go to dance clubs, I always dance with big girls, so we finish at the same time.

What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.

You've got this amazing creature- yourself- that can breathe, dance, and cry. And you have a certain amount of moments (maybe a few million moments-but moments they are) and you have this chance to do absolutely anything- to reach out to another vulnerable & true. To dance on the roof of euphoria and pray beside the ocean to let go. We have the chance every moment to Be Alive and give to this world who needs each one of us so badly.

I think when dance is mediocre, it's painful. But when dance is really impressive, it destroys.

You should do something that will make your heart dance once a day. If you can't do that because you're too depressed, then do something that will make somebody else's heart dance.

I don't dance like I used to, but I'm moving and I'll be doing my form of dance at Town Hall... I hit my limitations but I learn to work with what I've got.

F**king dance whenever you want to dance.