Quotes About Hear

Can you hear the dreams crackling like a campfire? Can you hear the dreams sweeping through the pine trees and tipis? Can you hear the dreams laughing in the sawdust? Can you hear the dreams shaking just a little bit as the day grows long? Can you hear the dreams putting on a good jacket that smells of fry bread and sweet smoke? Can you hear the dreams stay up late and talk so many stories?

It saddens me that in many churches today, you hardly hear the name of Jesus being mentioned. Instead, you hear psychology being taught. You hear motivational teachings. You hear 'doing, doing, doing', 'vision, vision, vision' or 'calling, calling, calling'. You hear very little of Jesus Christ and His finished work being taught. Is this what Christianity is about? Your doing, your calling and your vision?

There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.

We must follow the ways of the Lord, and take heed to our own ways, lest they lead us into sin. One can take heed if one is not hasty in speaking. The law says: 'Hear, O Israel, the Lord your God' (Dt. 6:4). It said not: 'Speak,' but 'Hear.' Eve fell because she said to the man what she had not heard from the Lord her God. The first word from God says to you: Hear!

In the midnight of a soul's unsleeping, hear the waterfall of women weeping. Hear the distant noise of traffic stalling, hear the prostituted children calling.

Never hear what somebody thinks about you, you'll live longer. Hear that they're in pain. Don't hear their analysis.

...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!

I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.

A lot of authors see their book being banned or challenged as a badge of honor. But for me, it's nothing but frustrating and upsetting. I hear from readers that my work encouraged them to ask for help or reach out to someone about the situation they're in. When you hear stories like that on a daily basis and then hear adults call for your work to be banned, it's proof of why the stigma around these issues is so dangerous.

I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I dont just play mechanically. I need to hear what I am doing in order to create the next note. If I dont hear it then I cant feed myself.

All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours.

How long can you hear someone crying - how long can you hear someone dying - before you ask yourself why?

Every artist wants some sort of feedback, because you make this music and you hope people love it and you want to hear if they love it and what they love about it, what their favorite song is, what they think the next single should be. I like to hear those things.

When you hear the voice of Rosa Ponselle, you hear a fountain of melody blessed by the Lord.

I don't think there's a problem. First of all, I don't think music turns people into social liabilities. Because you hear a lyric - there's no medical proof that a person hearing a lyric is going to act out the lyric. There's also no medical proof that if you hear any collection of vowels and consonants, that the hearing of that collection is going to send you to Hell.

You hear people sing songs about when they really can't stand anyone anymore or you hear people sing songs about when they really love someone and they really love them.

It's in the silence that I'm most able to hear the tiny voices that tell me I'm not good enough, smart enough, or cool enough. I try to hear them for what they are: my own creations. Sitting with them, letting them speak, hearing them out, and giving them back the silence that I'm now sitting in has shown me that, quite often, they shut up.

Also, the commercial media in a superior position, really, to any other corporate lobby, because where would people hear about commercial media or corporate media criticism, where would they hear criticism of them other than in the commercial media?

When we follow our hearts, we follow the path of lessons we were meant to take and gain knowledge from. Sometimes the heart conquers over reason, and this may lead us to making serious mistakes, but these are mistakes written for us to grow. This is the real reason you hear 'FOLLOW YOUR HEART'. And the real reason you hear, 'FOLLOW YOUR DREAMS' is because our dreams expose us to our true multidimensional realities outside of this delusional realm we call reality. Our TRUE reality can be found in our dreams, where we are our true multidimensional selves.

God is near at hand when you do approach Him in prayer. Oh, comforting truth! A God at hand to hear the softest breath of prayer-to listen to every confession of sin-to every cry of need-to every utterance of sorrow-to every wail of woe-to every appeal for counsel, strength, and support. Arise, O my soul! and give yourself to prayer; for God is near at hand to hear and answer you.

Backstreet Boys fans don't want to hear the New Kids singing all of their hits. Just like our fans don't want to hear the Backstreet Boys singing all of our hits.

When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."

People hear what they want and expect to hear, not what is said.

You cannot hear the name Martin Luther King, Jr., and not think of death. You might hear the words 'I have a dream,' but they will doubtlessly only serve to underscore an image of a simple motel balcony, a large man made small, a pool of blood. For as famous as he may have been in life, it is - and was - death that ultimately defined him.

there are two kinds of music - good music and bad music. Good music is music that I want to hear. Bad music is music that I don't want to hear.

Were I to go down into the market-place, armed with the powers of witchcraft, and take a peasant by the shoulders and whisper to him, 'In your lifetime, have you known peace?' wait for his answer, shake his shoulders and transform him into his father, and ask him the same question, and transform him in his turn to his father, I would never hear the word 'Yes,' if I carried my questioning of the dead back for a thousand years. I would always hear, 'No, there was fear, there were our enemies without, our rulers within, there was prison, there was torture, there was violent death.

O hark,O hear! how thin and clear And thinner, clearer, farther going! O sweet and far from cliff and scar The horns of Elfland faintly blowing! Blow, let us hear the purple glens replying: Blow, bugle; answer, echoes, dying, dying, dying.

I believe I know why it is satisfying to me to hear someone. When I can really hear someone, it puts me in touch with him; it enriches my life. It is through hearing people that I have learned all that I know about individuals, about personality, about interpersonal relationships.

I hear your chants. I hear your cat calls. And yes it's true. I'm obsessed with other men's balls. WORD!

Lord God, I long to hear Your voice but not just secondhand through teachers, as wonderful and godly as they can be. I long to hear Your voice firsthand.

Generally speaking we don't want to hear from the soul. We want it to just do its job. Unfortunately, in a broken world, it also is broken, and we're going to hear from it because many of the ordinary miseries and extraordinary glories of human life are expressions of the state of the soul.

There is no true prayer without confession. As long as we have unconfessed sin in our soul, we are not going to have power with God in prayer. He says if we regard iniquity in our hearts, He will not hear us, much less answer. As long as we are living in any known sin, we have no power in prayer. God is not going to hear it.

I'm just going to stay here, in the darkness under the arch. I can hear you all out there, trip-trapping, trip-trapping over my bridge. Oh yes, I can hear you. But I'm not coming out.

In Dogen's writing, the practical instruction, philosophy and poetry are together in one voice. People hear about his poetry, go to his work, and expect to find poetry, or they hear about his philosophy and expect to find philosophy. They look just for practical instruction and find poetry and philosophy. They can't make out the complexity of his writing, become frustrated and let him go.

I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]

When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.

Deceit, Deceive, Decide just what you believe... I see faith in your eyes, Never you hear the discouraging lies. I hear faith in your cries... Broken is the promise, Betrayal... The healing hand held back by the deepened nail... Follow the god that failed.

Builders, raise the ceiling high, Raise the dome into the sky, Hear the wedding song! For the happy groom is near, Tall as Mars, and statelier, Hear the wedding song!

It would be a wonderful experience to stand there in those enchanted surroundings and hear Shakespeare and Milton and Bunyan read from their noble works. And it might be that they would like to hear me read some of my things. No, it could never be; they would not care for me. They would not know me, they would not understand me, and they would say they had an engagement. But if I could only be there, and walk about and look, and listen, I should be satisfied and not make a noise. My life is fading to its close, and someday I shall know.

Start listening to what you say. Are your comments and ideas negative? You aren't going become positive if you always say negative things. Do you hear yourself say"I could never do that","I never have any luck","I never get things right". Wow - that's negative self-talk! Try saying"I am going to do that","I am so lucky""I always try to get things right". Can you hear how much better that sounds?

As soon as people hear my voice and synthesizer together they hear Erasure.

I was blind and heart broken and didn't want to do anything and Gus burst into my room and shouted, "I have wonderful news!" And I was like, "I don't really want to hear wonderful news right now," and Gus said, "This is wonderful news you want to hear," and I asked him, "Fine, what is it?" and he said, "You are going to live a good and long life filled with great and terrible moments that you cannot even imagine yet!

I like to hear the sound of form, and I like to hear the sound of it breaking.

Politicians like to tell people what they want to hear - and what they want to hear is what won't happen.

What the media is playing is what people want is really a false idea. Capitalism and people who control the market have a large hand in everything. It doesn't have anything to do with figuring out what the crowd wants to hear. It has to do with the media deciding what they think people want to hear.

I think people hear the question they want to hear.

I think hip-hop is actually one of the most challenging things that's happened in music in a long time. The people who are in charge of what people see or hear are afraid. What you hear on top 40 or what you see on BET or MTV is not a fair representation of what is really going on...

As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music.