Quotes About Horror

O horror! Horror! Horror! Tongue nor heart Cannot conceive nor name thee!

Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.

I've always wanted to do a horror movie, and I grew up watching a lot of horror. I now, recently in life, don't have the stomach for it because I spend so much time in it.

Horror is so basic. You'd get an adrenaline jolt from watching your mom get gored by a woolly mammoth. A horror movie gives you the adrenaline without having to have your mom get gored.

As a filmmaker, I love the medium. I have a great affection for it and I've been lucky enough to do all different kinds of films. The greatest part of the success I've had comes from horror. I love the idea of mixing humor and horror and to me, it's all a giggle.

Because I am known in the horror genre now, I try and do at least one horror movie a year for my fans, my fans have been so good to me.

I sat on the bed. I looked at the Rorschach blot. I tried to make it look like a spreading tree, shadows pooled beneath it, but it didn't. It looked more like a dead cat I once found, the fat, glistening grubs writhing blindly, squirming over each other, frantically tunneling away from the light. But even that isn't the real horror. The horror is this: in the end, it is simply a picture of empty meaningless blackness.

Part of a horror movie has to be a bit fakey for me to really enjoy it. The new ones are so realistic that they distract me from the ride through the horror.

Anyone who says that life matters less to an animal than it does to us has not held in his hands an animal fighting for its life. The whole of the being of the animal is thrown into that fight, without reserve. When you say that the fight lacks a dimension of intellectual or imaginative horror, I agree. It is not the mode of being animals to have an intellectual horror: their whole being is in the living flesh...I urge you to walk, flank to flank, beside the beast that is prodded down the chute to his executioner.

Screaming. Did I mention the screaming? Screaming is usually associated with horror films and roller coasters. This is why I usually look like I've just watched a horror film on a rollercoaster. Kids love to scream. Frightened, happy, bored. They scream. I've actually learned to love the sound of a vacuum cleaner. It's just so peaceful.

Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints of unexplored sexuality that combine to produce a euphoria so intense it becomes transporting, a state beyond life or death. Such horror is unspeakable not because it is gruesome but because it remains outside the realm of things that can be easily defined or explained in conventional ways.

A lot of the main audience thinks video game-based movies are always horror movies but it's totally not true. In video games you have adventure, sci-fi, horror, action and even comedy. I think that people should accept more that video games are kind of like the best-selling books of the new generation.

I love horror movies. I mean, who doesn't like a good horror movie every once in a while? It's fun to get scared.

Horror is a totally different animal. It's intense. You can do drama or comedies, but in horror, you really have to trick yourself into believing a lot of unbelievable phenomena.

I guessed his name was Face of Horror. I wondered how long it had taken his mom to think of that. Bob? No. Sam? No. How about Face of Horror?

I like making sci-fi movies because I like watching sci-fi movies. I like watching horror. I like being in a horror movie. I'm a fan. My perspective's a little different just because I get to participate as well as spectate.

As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.

Horror was rooted in sympathy . . . in understanding what it would be like to suffer the worst.

Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.

I realize that people fly with small children all the time, and that babies are easier in some ways because all they do is sit/lie around anyway, but damn it's hard to keep a baby comfortable on any flight, much less a long one, particularly amid the looks of horror they will get from fellow passengers as it dawns on them that their 10- to 13-hour flight might come with a soundtrack of screaming baby.

A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting.

I ate him," said the homunculus, biting into his sausage. The kids couldn't hide their looks of horror. He smiled, sausage juice running down his chin. "Oh, don't worry - I cooked him first. I'm not a barbarian.

I've wanted to work with [Kairo aka Pulse director] Kiyoshi Kurosawa, but he has not been making horror movies recently.

I think there can always be beauty in struggle. I mean, as far as childbirth, I had my son in the hospital, but then I had my daughter at home. There's no doubt that there's a struggling in birth, and a beauty and a horror and fear and joy too.

Born to an age where horror has become commonplace, where tragedy has, by its monotonous repetition, become a parody of sorrow, we need to fence off a few parks where humans try to be fair, where skill has some hope of reward, where absurdity has a harder time than usual getting a ticket.

Good evening, Lord Corwin,' said the lean, cadaverous figure who rested against a storage rack, smoking his pipe, grinning around it. Good evening, Roger. How are things in the nether world?' A rat, a bat, a spider. Nothing much else astir. Peaceful.' You enjoy this duty?' He nodded. I am writing a philosophical romance shot through with elements of horror and morbidity. I work on those parts down here.

Nuclear weapons will not be gotten rid of until the United States confronts the magnitude of the horror, the tragedy, and the long-term suffering of the victims

One of the problems, hanging out with me, is that I can turn any topic into a toxic horror story. I've lost two girlfriends and a job by reading an ingredients label out loud, with annotations, at the wrong time.

One could make money and get a career going with a low-budget horror film about killers attacking on holidays. It is always flattering to have somebody copy you.

Some people in Indonesia say they are content, but in fact most of them are miserable. People say they are not poor, even if they take water from the gutter and live in a carton shack. They say they are not afraid, because even the horror they are experiencing every day, is not allowed here to be defined as fear. If it is, the families, the officials, and mass media, mock it.

I dreamed of being a part of the stories—even terrifying one, even horror stories—because at least the girls in stories were alive before they died.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

There is nothing in the world I hold in greater horror than to see a body moving against its head: and I shall be very careful notto ally myself with such a monster.

What a great unifier getting scared is. Not in an actual threatening, real-world way, but getting scared from horror movies or haunted houses or ghost stories. You laugh because it's a release. People laugh when they're nervous. I laugh so much at a haunted house. It's out of fear, but it's also a wonderful release. Getting scared like that, you feel good, and you feel exhilarated afterwards.

In most cases we attach ourselves to in order to take revenge on life, to punish it, to signify we can do without it, that we have found something better, and we also attach ourselves to God in horror of men.

There was one woman who had a giant sign and on it, it just said, 'America Is Better Than Abortion.' I think she meant that America was too good a place for the horror of abortion. But instead, it sounded like she had weighed both - the American spirit and getting an abortion and decided that American spirit better. I think it is a bad idea to have grammatically ambiguous protest signs.

I started appreciating and valuing different things. Some things just became insufferable to me, and not just literature. I used to like horror movies and now I couldn't stand them.

As one who participated in all the wars of the state of Israel, I saw the horror of wars. I saw the fear of wars. I saw my best friends being killed in battles. I was seriously injured twice.

Dying away from home, away from the soil of your birth - and to do so unseen and unmourned - is a profound horror.

A lot of people don't think about it, but the Bible has every horror element that you can imagine. It's got the devil, the Antichrist, Lucifer, and Satan - which are four different characters. It's got the end of the world. You've got zombies, giants, demon possession, a lot of murder.

You know, in the horror movie you kill the monster, and the hand re-emerges. And if you're not looking, the hand grows back and then the monster's there again. That cannot be allowed to happen.

I'm having fun with what I'm doing but I'd never categorically say no to something because it's not horror. I'm keeping an open mind.

The crime genre's always been regarded very well by the literary end of the book world, whereas horror, although it had that spell in the late eighties, by and large, it's sort of ghetto-ized, and considered to be exploited literature.

I'm a fan of good horror movies.

For the best part of my childhood I visited the local library three or four times a week, hunching in the stacks on a foam rubber stool and devouring children's fiction, classics, salacious thrillers, horror and sci-fi, books about cinema and origami and natural history, to the point where my parents encouraged me to read a little less.

The daemonic-divine object may appear to the mind an object of horror and dread, but at the same time it is no less something that allures with a potent charm, and the creature, who trembles before it, utterly cowed and cast down, has always at the same time the impulse to turn to it, nay even to make it somehow his own.

The world had ended, so why had the battle not ceased, the castle fallen silent in horror, and every combatant laid down their arms?

Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that.