Quotes About Horror

I had always loved horror films, so I wanted to do something in the horror genre but wanted it to be sweet and charming at the same time. Because there's a difference between watching horror, where you can leave it behind, and writing horror, where you have to live in it for months and months at a time.

I wouldn't exactly describe 'Detention' as a horror movie. I mean, it does have horror elements in it, but it's got a lot more to it, and it's not a typical horror movie.

Horror movies, man, the blood entails so much time. And horror movies are not fun; definitely not starting there as a director. Definitely not horror.

When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.

There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.

Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.

I think horror comedies tend to skew more comedy than horror, for the most part.

I'm not a fan of horror. I don't think a proper horror movie has been done since The Shining.

When I was a kid I was really into horror films. I watched every single horror film that came out in the 80s.

I have been trying to make the reader believe that we actually are, at present, creatures whose character must be, in some respects, a horror to God, as it is, when we really see it, a horror to ourselves. This I believe to be a fact: and I notice that the holier a man is, the more fully he is aware of that fact.

There were days when you peered into yourself, into the secret places of your heart, and what you saw there made you faint with horror. And then, next day, you didn't know what to make of it,you couldn't interpret the horror you had glimpsed the day before. Yes, you know what evil costs.

So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them.

A cowboy, a lawyer, and a mechanic watched Queen of the Damned,” I murmured. Warren—who had once, a long time ago, been a cowboy—snickered and wiggled his bare feet. “It could be the beginning of either a bad joke or a horror story.” “No,” said Kyle, the lawyer, whose head was propped up on my thigh. “If you want a horror story, you have to start out with a werewolf, his gorgeous lover, and a walker.

People would always say horror movies always thrive during times of war; that's just what people would say. And I don't know if they thrived during World War II or Vietnam, but I thought that's kind of strange, why would that happen. I don't know if people rearrange their priorities; in good times, they freak out and start pointing the fingers at video games and TV, but when horrible things are happening in the world, a horror movie just seems a little ridiculous.

Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.

Screaming. Did I mention the screaming? Screaming is usually associated with horror films and roller coasters. This is why I usually look like I've just watched a horror film on a rollercoaster. Kids love to scream. Frightened, happy, bored. They scream. I've actually learned to love the sound of a vacuum cleaner. It's just so peaceful.

Horror is always the same. It changes with the culture and changes with technology. The stories are always the same. There are just two basic stories in horror, two simple ones -- evil is outside and evil is in here [points to his heart].

Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints of unexplored sexuality that combine to produce a euphoria so intense it becomes transporting, a state beyond life or death. Such horror is unspeakable not because it is gruesome but because it remains outside the realm of things that can be easily defined or explained in conventional ways.

Horror films had died a little bit before Scream came around. That was one of the reasons I wrote it. I wanted to write something that wasn't being made right now and maybe sell if I come up with a new horror film. Because no one is watching those movies. Let's do it. That was my whole goal, and it paid off. I feel like it's never stopped.

But the purpose of the book is not the horror, it is horror's defeat.

I love being the underdog. It's one of the reason I like making horror movies, because a lot of people don't like them or are prejudiced against them. So it's one of the many reasons I like horror and it's also the reason I like low budget, because it automatically makes us the underdog.

As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.

The idea of bringing someone into the world fills me with horror. I would curse myself if I were a father. A son of mine! Oh no, no, no! May my entire flesh perish and may I transmit to no one the aggravations and the disgrace of existence.

I suppose we all have our recollections of our earlier holidays, all bristling with horror.

I came to terms with living mostly in a world of horror pictures or genre pictures.

Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.

Clary, you're an artist, like your mother. That means you see the world in ways that other people don't. It's your gift, to see the beauty and the horror in ordinary things. It doesn't make you crazy — just different. There's nothing wrong with being different.

...and horror of horrors, he realized that he was experiencing some sort of a crush. He needed to kill something.

"The horror of that moment," the King went on, "I shall never, never forget!" "You will, though," the Queen said, "if you don't make a memorandum of it."

One phrase summarizes the horror of hell. "God isn't there."

Well, yeah! Now they're considered golden oldies, which is awesome. I was watching Little Women recently, and I didn't want to get up for fear of missing something. And Heathers is like my own Rocky Horror Picture Show; I recite the lines when it's on. It may seem odd, but I think it's because they're really good movies.

Metal guys are huge nerds. A good percentage of them are either horror or sci-fi or comic book or fantasy nerds.

I love horror, I love scary movies, I love thrillers. If things creep you out and spook you? I love it.

It is not that fathers are better or worse, not that they are more loved or criticized, but rather that they are viewed with far less intensity. There is no Philip Roth or Woody Allen or Nancy Friday who writes about fathers with a runaway excess of humor, horror ... feeling. Most of us let our fathers off the hook.

Horror, let's face it, is basically pretty dumb. You're writing about events that are preposterous, and the trick is to dress them up in language so compelling that the reader doesn't care.

Every major horror of history was committed in the name of an altruistic motive. Has any act of selfishness ever equalled the carnage perpetrated by disciples of altruism.

People who have been made to suffer by certain things cannot be reminded of them without a horror which paralyses every other pleasure, even that to be found in reading a story.

All that is left is to us is our being horrified at the loss of our sense of horror.

I adore Wilkie Collins,” Tessa cried. “Oh—Armadale! And The Woman in White … Are you laughing at me?” “Not at you,” said Will, grinning, “more because of you. I’ve never seen anyone get so excited over books before. You’d think they were diamonds.” “Well, they are, aren’t they? Isn’t there anything you love like that? And don’t say ‘spats’ or ‘lawn tennis’ or something silly.” “Good Lord,” he said with mock horror, “it’s like she knows me already.

I would love a little bit of a change. I feel so fortunate to have been able to work so much, particularly in the horror-thriller genre, but I would love to be able to do something perhaps a little more dramatic or even a romantic comedy.

There's a lot of dark horror, and a lot of sci-fi fantasy that's great, but what gets hyped a lot the big stuff. The most expensive stuff gets hyped a lot, and I love it, don't get me wrong, but there's things that fall through the cracks.

"Jack Reacher" was easy because the function of the villain was just to spread fear and horror.

I love horror films, but it's more than an adrenaline rush for me. I love them because I know they scare me. It's kind of like I go on roller coasters, but I'm terrified of roller coasters, sort of thing.

Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that.

People who are afraid to go to horror movies are generally afraid their whole lives. People say to me, 'Do you have nightmares?' I never have nightmares! And I go to movies and see the most bizarre things in the world, and go... Wow that is really sick, how fun is that! And I don't have to carry it around. I think that's very healthy.

I've always found it easy and natural and, more importantly, necessary to articulate thoughts and feelings, and fierce emotions, through the written word. Fantasy and horror came to me when I was very young.

But I still wonder how it was possible, in those graceless years of transition, long ago, that men did not see whither they were going, and went on, in blindness and cowardice, to their fate. I wonder, for it is hard for me to conceive how men who knew the word "I," could give it up and not know what they lost. But such has been the story, for I have lived in the City of the damned, and I know what horror men permitted to be brought upon them.

If a man could understand all the horror of the lives of ordinary people who are turning around in a circle of insignificant interests and insignificant aims, if he could understand what they are losing, he would understand that there can only be one thing that is serious for him - to escape from the general law, to be free. What can be serious for a man in prison who is condemned to death? Only one thing: How to save himself, how to escape: nothing else is serious.