Quotes About Imagination

Fantasy is a product of thought, Imagination of sensibility. If the thinking, discursive mind turns to speculation, the result isFantasy; if, however, the sensitive, intuitive mind turns to speculation, the result is Imagination. Fantasy may be visionary, but it is cold and logical. Imagination is sensuous and instinctive. Both have form, but the form of Fantasy is analogous to Exposition, that of Imagination to Narrative.

The great task demanded of man is reproduction. He is urged by passion to perform this task. Passion, working through the imagination, produces love. Passion is the impelling factor, imagination the disturbing factor; and the disturbance of passion by imagination produces love.

A man said to me, "You talk to your dead guru?" And I said, "Yeah." He said, "That's in your imagination." And I said, "Yeah!" Because my guru is in my imagination anywhere. Anywhere.

A novel, for me, relies on my imagination to inspire your (the reader's) imagination. It is not all there for you. My novels or my stories come to me visually. I use words to translate the novel I see inside my head into words that I hope will create a movie inside your head.

To allow mystery, which is to say to yourself, 'There could be more...things we don't understand,' is not to damn knowledge....It is to permit yourself an extraordinary, freedom: someone else does not have to be wrong in order that you might be right...This tolerance for mystery invigorates the imagination; and it is the imagination that gives shape to the universe.

The curve of imagination, the curve of brilliance and the curve of sanity are identical curves or at least similar curves... The more imagination a person has, why, the more intelligence, the more knowingness he has and the saner he's going to be.

The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see nature all ridicule and deformity... and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself.

Well, the fact is that one imagination is critically important, and if you have had your imagination stimulated by what is basically a variety of subjects, you are much more amenable to accepting, to understanding and interacting with the realities of the world.

The southern German has the imagination and emotionality to subscribe to a fanatic ideology, but he is ordinarily inhibited from excesses by his natural humaneness. The Prussian does not have the imagination to conceive in terms of abstract racial and political theories, but when he is told to do something, he does it.

The poet's eye, in a fine frenzy rolling, doth glance from heaven to Earth, from Earth to heaven; and as imagination bodies forth the forms of things unknown, the poet's pen turns them to shape, and gives to airy nothing a local habitation and a name; such tricks hath strong imagination.

Wishing is the beginning of imagination. They practice wishing when they are young things, and then -when they have grown - they have a developed imagination. Which can do some harm - greed, that kind of thing - but more often does them some good. They can imagine that things might be different. Might be other than they seem. Could be better.

By directing our sentiments, passions, and reason toward the common human plight, imagination grants us the advantages of a moralexistence. What we surrender of innocent love of self is exchanged for the safeties and pleasures of belonging to a larger whole. We are born dependent, but only imagination can bind our passions to other human beings.

Imagination is a flame that ignites the creative spirit. Imagination lights up your mind by stoking mental fires. It can be stimulated from the outside through the senses, or from the inside through the driving power of curiosity and discontent.

There is almost no limit to the possibilities of the imagination, but to get the full power of it, one must trust one's imagination. If you say to yourself constantly, as the mother says to the child, 'But this is only play; this is not real,' you never can make real the things you have created in thought.

Imagination is as vital to any advance in science as learning and precision are essential for starting points. Let me warn you to beware of two opposite errors: of letting your imagination soar unballasted by facts, but on the other hand, of shackling it so solidly that it loses all incentive to rise.

Without design thinking, the only sane response to a problem is to make a smaller, "safer" move. Smaller moves don't get you very far. They key is to let out the leash on imagination, but not take it off the leash. Imagination is the only path to innovation. It's a good example of something that humans do better than machines.

I try to be as faithful as possible to the facts as I understand them, but any story is at least partly a product of the imagination. I can comprehend a lot by immersing myself in all of the information I've collected, but my imagination is what brings it to life, and the bridging of that gap - between the received history and the conceived fiction - is both the most difficult and most enjoyable part of the process for me.

There are people a lot smarter than me investigating nature versus nurture who would have a lot to say about that, but I think it's an enormous privilege to be born into a family where my parents had enough time to read to me and listen to my stories and foster my imagination. It's a privilege to have time to investigate your imagination. And not to have, like, an amount of stress on you as a kid that prevents you from maturing creatively.

Civility is a work of the imagination, for it is through the imagination that we render others sufficiently like ourselves for them to become subjects of tolerance and respect, if not always affection.

One of the things that's awesome about being an actor is that you get to do stories, live lives and have experiences that you never could have even conceived of, and that's because you're living in another writer's imagination and another director's imagination.

The idea of a group of elders is that, in past civilizations, they have linked worlds; the other world was also present in this one. There is also the argument that elders have "experience." The problem is that experience teaches fear of change. Experience kills imagination. Experience makes people conservative. What we are facing tomorrow requires the force of imagination, not wisdom from yesterday.

Conflict acting on intelligence creates imagination. Faced with conflict, creatures are forced to imagine what will happen, where the next threat will come from. If there has never been conflict, imagination never develops. Wits arise in answer to danger, to pain, to tragedy. No one ever got smarter eating easy apples.

Creativity, as I see it, is the process of putting your imagination to work. It's been defined rather simply as applied imagination. That's not a bad way to think about it.

The key to life is imagination. If you don't have that, no mater what you have, it's meaningless. If you do have imagination...you can make feast of straw.

There is a mystery about this which stimulates the imagination; where there is no imagination there is no horror.

Creativity is more than mere imagination. It is imagination inseparably coupled with both intent and effort.

That there were other worlds, invisible, unknown, beyond imagination even, was a revelation to him.

Every parent knows this moment in a child's age when he or she needs your attention in a very specific way because it's the beginning and ending of the early life of imagination. It's such a responsibility.

But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.

On 'Into The Wild' I spent months risking my life and on 'Speed Racer' I spent 60 days acting in front of a green screen. No danger to my physical self, but I sure had to use my imagination.

Imagination, not invention, is the supreme master of art as of life.

The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

Brazil obviously connotes something in my mind to do with desire, sexuality and freedom. In fantasy, in mythology, Rio is the iconography of the imagination. In essence, we're all sex tourists. I've never been to Rio and I've never been to a psychoanalytic convention, but in a sense, Rio is symbolic of desire, some sort of ultimate ecstasy.

For the 99 percent of the time we've been on Earth, we were hunter and gatherers, our lives dependent on knowing the fine, small details of our world. Deep inside, we still have a longing to be reconnected with the nature that shaped our imagination, our language, our song and dance, our sense of the divine.

I'm sometimes asked how I would like to be remembered. I've had a diverse career as a writer, underwater explorer, space promoter and science populariser. Of all these, I want to be remembered most as a writer - one who entertained readers, and, hopefully, stretched their imagination as well.

A good many of my poems over the years have alluded to or taken on the political. Stevens has a line in one of his essays: "Reality exerts pressure on the imagination." Inevitably what is omnipresent in the culture exerts its pressure on our imaginations to respond to it, even if indirectly. But in this case the backdrop of 9/11, coincident with the breakup of a marriage, the finding of new love, some kind of personal cataclysm... all of those were forces informing the poems in some way.

We live in an age in which the imagination of the novelist is helpless against what he knows he is going to read in tomorrow's newspaper.

I'll confess right here that I secretly wish I'd have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.

The book is even quirkier, but it's hard to bring all of that stuff to a movie. With a book, you use your imagination more and create your own way to make it all make sense.

To cook, and to do it well, every talent must be used; the strength of a prize-fighter, the imagination of a poet, the brain of an empire builder, the patience of Job, the eye and the touch of an artist, and, to turn your mistakes into edible assets, the cleverness of a politician.

Art is the response to the demand for entertainment, for the stimulation of our senses and imagination, and truth enters into it only as it subserves these ends.

Since most problems are created by our imagination and are thus imaginary, all we need are imaginary solutions.

Pyramids, cathedrals, and rockets exist not because of geometry, theories of structures, or thermodynamics, but because they were first a picture- literally a vision-in the minds of those who built them. Society is where it is today because people had the perception; the images and the imagination; the creativity that the Arts provide, to make the world the place we live in today.

If a family is an expression of continuity through biology, a city is an expression of continuity through will amd imagination? through mental choices making artifice, not through physical reproduction.

Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.

A symbol is indeed the only possible expression of some invisible essence, a transparent lamp about a spiritual flame; while allegory is one of many possible representations of an embodied thing, or familiar principle, and belongs to fancy and not to imagination: the one is a revelation, the other an amusement.

I grew up going to the theater. That was one of the nice things my mom did was she took us to plays and symphony concerts and to the museums. Theater captured my imagination. I just loved the idea of that box, which is essentially what a stage is from a certain distance, a box with all this life going on in it. So, I was eleven when I wrote my first play. Of course, it was horrible.

No child should be permitted to grow up without exercise for imagination. It enriches life for him. It makes things wonderful and beautiful.