Quotes About Literature

Literature, the study of literature in English in the 19th century, did not belong to literary studies, which had to do with Greek, Latin, and Hebrew, but instead with elocution and public speaking. So when people read literature, it was to memorize and to recite it.

The greatness of literature cannot be determined solely by literary standards though we must remember that whether it is literature or not can be determined only by literary standards.

For those of us who take literature very seriously, picking up a work of fiction is the start of an adventure comparable in anticipatory excitement to what I imagine is felt by an athlete warming up for a competition, a mountain climber preparing for the ascent: it is the beginning of a process whose outcome is unknown, one that promises the thrill and elation of success but may as easily end in bitter disappointment. Committed readers realize at a certain point that literature is where we have learned a good part of the little we know about living.

...I have come to make distinctions between what I call the academy and literature, the moral equivalents of church and God. The academy may lie, but literature tries to tell the truth.

Literature is not exhaustible, for the sufficient and simple reason that a single book is not. A book is not an isolated entity: it is a narration, an axis of innumerable narrations. One literature differs from another, either before or after it, not so much because of the text as for the manner in which it is read.

Literature got me into this mess and literature is going to have to get me out of it.

The Constitution is more than literature, but as literature, it is primarily a work of the imagination. It imagined a country: fantastic. More fantastic still, it imagined a country full of people imagining themselves.

There is a clear acknowledgement all over the world that we should not teach people to read and then to leave them without literature. For they would then relapse into a dreary and ultimately dangerous state of half-education, in which they would be easily satisfied by crude semi-pictorial approximations of the strip cartoon and by the abundant supply of degenerate literature which destroys, rather than promotes, a capacity to face the problems of the world with skill and courage

I don't really think in terms of the future of literature. I think literature will be around "forever" - but in a relatively niche way, like jazz and poetry, although probably more widely consumed than jazz and poetry since it's fundamentally a narrative form. And I think that's important and places like Word Riot and 'The New York Tyrant' and 'n+1' will be responsible for keeping it alive.

By the age of nine I had a thorough knowledge of contemporary Polish literature as well as of foreign literature in Polish translation, and I began to write poems in honour of a lady of thirty years. Naturally, she knew nothing about them.

When journalism is silenced, literature must speak. Because while journalism speaks with facts, literature speaks with truth.

When we seem to have won or lost in terms of certainties, we must, as literature teachers in the classroom, remember such warnings -- let literature teach us that there are no certainties, that the process is open, and that it may be altogether salutary that it is so.

English literature, from the days of the minstrels to the Lake Poets,--Chaucer and Spenser and Milton, and even Shakespeare, included,--breathes no quite fresh and, in this sense, wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. Her wildness is a greenwood, her wild man a Robin Hood. There is plenty of genial love of Nature, but not so much of Nature herself. Her chronicles inform us when her wild animals, but not the wild man in her, became extinct.

I do lots of reading and speaking at many universities about literature and also about politics, which is as much a part of my life as the literature.

We are human, and nothing is more interesting to us than humanity. The appeal of literature is that it is so thoroughly a human thing — by, for and about human beings. If you lose that focus, you obviate the source of the power and permanence of literature.

When Thomas Mann arrived in California from Germany, they asked him about German literature. And he said, 'German literature is where I am.' It's really a bit grand, but if a German can afford it, I can afford it.

Science is a capital or fund perpetually reinvested; it accumulates, rolls up, is carried forward by every new man. Every man of science has all the science before him to go upon, to set himself up in business with. What an enormous sum Darwin availed himself of and reinvested! Not so in literature; to every poet, to every artist, it is still the first day of creation, so far as the essentials of his task are concerned. Literature is not so much a fund to be reinvested as it is a crop to be ever new-grown.

I think that the Bible as literature should be a compulsory part of the national curriculum.. you can't understand English literature and culture without it. But insofar as theology studies the nature of the divine, it will earn the right to be taken seriously when it provides the slightest, smallest smidgen of a reason for believing in the existence of the divine. Meanwhile, we should devote as much time to studying serious theology as we devote to studying serious fairies and serious unicorns.

In fact I don't think of literature, or music, or any art form as having a nationality. Where you're born is simply an accident of fate. I don't see why I shouldn't be more interested in say, Dickens, than in an author from Barcelona simply because I wasn't born in the UK. I do not have an ethno-centric view of things, much less of literature. Books hold no passports. There's only one true literary tradition: the human.

As I grew up, I was interested in other areas, too, especially literature. It became a major love of mine. Later, it became a difficult choice for me as to whether to major in music or literature. It wasn't until my 30s that I began a profession in music.

The great subversive works of children's literature suggest that there are other views of human life besides those of the shopping mall and the corporation. They mock current assumptions and express the imaginative, unconventional, noncommercial view of the world in its simplest and purest form. They appeal to the imaginative, questioning, rebellious child within all of us, renew our instinctive energy, and act as a force for change. This is why such literature is worthy of our attention and will endure long after more conventional tales have been forgotten.

The destination of the soul: this is what I, led on by Nils Holgersson, came to seek in the literature of Western Europe. I fervently hope that my pursuit, as a Japanese, of literature and culture will, in some small measure, repay Western Europe for the light it has shed upon the human condition.

Until you can become accountable to yourself and only yourself, you're probably not going to live a fully vital life. So much of literature is about accountability. The moral issues in most novels are about people becoming responsible for their own behaviour. One of the forces against being responsible for your own behaviour is the force of the past, in the way that the past tries to form you.

The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.

Comics? Honestly, that's more a matter of nostalgia for me. I think most of that energy has gone to my love of literature, and my love of film...

I believe that the creative impulse is natural in all human beings, and that it is particularly powerful in children unless it is suppressed. Consequently, one is behaving normally and instinctively and healthily when one is creating - literature, art, music, or whatever. An excellent cook is also creative! I am disturbed that a natural human inclination [creative work] should, by some Freudian turn of phrase, be considered compulsive - perhaps even pathological. To me this is a complete misreading of the human enterprise. One should also enjoy one's work, and look forward to it daily.

Funny thing about Bob Dylan, the newest Nobel laureate in literature: He's been a master of self-invention for more than 50 years, creating personae, wearing them like masks, and then discarding them as soon as they grew too familiar.

In literature it is only the wild that attracts us.

Hulga the whole while hollering like a half-slaughtered hog. (Attention, students of literature! Alliteration - have you noticed? - is my least vice.)

A theatre, a literature, an artistic expression that does not speak for its own time has no relevance.

I don't think men experience the embargo on channeling the autobiography in their literature.

The only reward to be expected from literature is contempt if one fails and hatred if one succeeds.

If it happens that the human race doesn't make it, then the fact that we were here once will not be altered, that once upon a time we peopled this astonishing blue planet, and wondered intelligently at everything about it and the other things who lived here with us on it, and that we celebrated the beauty of it in music and art, architecture, literature, and dance, and that there were times when we approached something godlike in our abilities and aspirations. We emerged out of depthless mystery, and back into mystery we returned,and in the end the mystery is all there is.

Modern science fiction is the only form of literature that consistently considers the nature of the changes that face us.

Personal experience is the basis of all real literature.

Literature has neglected the old and their emotions. The novelists never told us that in love, as in other matters, the young are just beginners and that the art of loving matures with age and experience.

Give yourself to reading.’... You need to read. Renounce as much as you will all light literature, but study as much as possible sound theological works, especially the Puritanic writers, and expositions of the Bible.

What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.

I think my books give people a language to have a conversation about God that's not religious. There isn't enough new literature that brings the conversation of God into a modern context. I love the Bible, but in the West we've analyzed it until it fits into a structure of control. We need more new stories. We need different ways of looking at things, and I think it's coming.

Literature is analysis after the event.

If you aren't just brought up in your tribe but interact with other people either directly or vicariously, through journalism and literature, you see what life is like from other points of view and are less likely to demonize them or dehumanize others and more likely to empathize with them.

Romantic literature is in effect imaginative lying.

At a period when Literature was wont to attribute the grief of living exclusively to the mischances of disappointed love or the jealousy of adulterous deceptions, he had said not a word of these childish maladies, but had sounded those more incurable, more poignant and more profound: wounds that are inflicted by satiety, disillusion and contempt in ruined souls tortured by the present, disgusted with the past, terrified and desperate of the future.

Don't feel that you have to tailor your literature a particular way to please any school of ideology. There will emerge in its own right, effortlessly, some kind of ideological direction which is a reflection of your thinking and you want your thinking, above all.

There's a wealth of literature out there which, hopefully, will be, you know, exploded in the future, and I personally find it very rewarding to be involved with classic storytelling, and sort of legendary characters.

There isn't a lot of poverty literature in the young-adult world. And I don't know why that is, but I think certainly I felt a gap.

If the detective should suffer overmuch from the artistic temperament, and his fellow lodger should dwell overlong upon the fairness of a wrist or the timber of a feminine voice, so much the better for us. Literature never produced a relationship more symbiotic nor a warmer and more timeless friendship.

A person of mature years and ripe development, who is expecting nothing from literature but the corroboration and renewal of past ideas, may find satisfaction in a lucidity so complete as to occasion no imaginative excitement, but young and ambitious students are not content with it. They seek the excitement because they are capable of the growth that it accompanies.