Quotes About London

I've noticed that once you leave London you do kind of become a bit more famous. People in London are a bit too cool for school. It's not so unusual to see someone from London in the street. But outside of London people are a bit more excited to see you and come out and support you.

London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.

London goes beyond any boundary or convention.It contains every wish or word ever spoken, every action or gesture ever made, every harsh or noble statement ever expressed. It is illimitable. It is Infinite London.

The great thing about London is the little pockets of culture, like Hackney, which has its panto and its great community. Of course there's also the West End with its brilliant theatres and thriving tourism but to also have areas like Hackney which are so community based but not exclusive, that remind you that those surrounding you are the most important, is what makes London what it is.

I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.

I grew up in London, and that's where I spend most of my time. Unless I have a really good reason not to be, I'll always be in London.

I considered the attacks on London useless, and I told the Fuhrer again and again that inasmuch as I knew the English people as well as I did my own people, I could never force them to their knees by attacking London. We might be able to subdue the Dutch people by such measures but not the British.

In London, before I set out, I had paid one shilling; another was now demanded, so that upon the whole, from London to Richmond, the passage in the stage costs just two shillings.

I feel more at home in London than in Los Angeles, definitely. If I could have my choice, I certainly would live in London as opposed to LA. I just prefer it here. But I love the work and in LA there's just so much more of it, and as an actor you kind of have to go where the work is. Luckily, I've been able to get the work out there. If work brings me back here, and a project is here and I can do it, I'll jump at the chance.

My background is advertising: I moved to New York from London in 1998 to start up the U.S. office of ad agency Bartle Bogle Hegarty.

London is one of the most enchanting places I've ever been on this planet.

When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.

I spent two years living in London - I'd have stayed for ever if I could have got a work visa. It was there I started collecting vinyl and fell in love with the sounds of the 1970s.

In writing 'The Satanic Verses,' I think I was writing for the first time from the whole of myself. The English part, the Indian part. The part of me that loves London, and the part that longs for Bombay. And at my typewriter, alone, I could indulge this.

Oh Christ, the exhaustion of not knowing anything. It's so tiring and hard on the nerves. It really takes it out of you, not knowing anything. You're given comedy and miss all the jokes. Every hour you get weaker. Sometimes, as I sit alone in my flat in London and stare at the window, I think how dismal it is, how heavy, to watch the rain and not know why it falls.

I'm contemplating moving to London for a period of time. I've been in Los Angeles for 15 years and I'm really tired of it. I'm continually uninspired by what's being sent to me. Even by huge films that they're doing there. They're just awful.

A flat black bug, that is London.

I'd been reading Daniel Defoe's Journal of the Plague Year when the [1992 Los Angeles] riots broke out and I began to see them both - L.A. and the London plague - as the same event. A time of crisis. A time when rich and poor get thrown together - and, suddenly one sees alternatives. I began to think about what happens when the containment of a presumed danger through the regimentation of space breaks down, such as when South-Central L.A. began to invade Beverly Hills.

One of the biggest things going on in London, Amsterdam, San Francisco, and New York right now is gentrification. Every major city is dealing with gentrification, and it's always the sex workers they come for first. Cities feel they have to clean up their image and make themselves more attractive for tourism, more attractive to businesses. The Gezi Park struggle in Turkey a few years ago, for example, was a popular movement defending public space and land. What I found when I was digging into the goings on there was that the park was a place where transgender sex workers felt safe.

The City of London has never been known for understanding technology and has never matched Silicon Valley's tradition of knowledgeable investment in technology start-ups, just as the U.K. government has never matched the vast investment made by the U.S. government.

I've had people ask me in interviews what it's like to have money, but that's not how it is. I have a middle-class life. I have a room in London but not a house, nor a BMW.

I grew up in Los Angeles, and I've made movies all over the world... I've been in New York, Norway, Chicago, Pittsburgh, Philadelphia, London - I've been in all these cities, shooting away in the winter, thinking, 'People who choose to live here are insane.

Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere... terrible! In London, it is the same. Every pavement is uneven.

I first came to London as a musician, and when my group broke up, I did 'Guys and Dolls' at the Watford Palace theatre. After that, Ned Sherrin found me and brought me to the West End to do one of his shows. The work went from strength to strength, so I thought: 'This is where the world wants me; I'll stay.

As to London we must console ourselves with the thought that if life outside is less poetic than it was in the days of old, inwardly its poetry is much deeper.

In those sticky summer nights in South London our windows stay open and our tiny apartment becomes our secret garden. The magic of the secret garden is that it exists in our imagination. There are no limits, no borderlines. The secret garden leads to the marigolds of Mogadishu and the magnolias of Kingston and when the heat turns us sticky and sweet and unwilling to be claimed by defeat we own the night. We own our bodies. We own our lives.

I hate going out in Brighton now. It's different in London. People respect you more there.

I feel at home most places I go, but my very top of the list are Bali, Italy, and London. Those are like second homes to me.

At the time, we thought it was a nice way to say something unique about the group to make us different from all the other bands kicking around in London.

In those days, in 80th, people were really hungry for information - and, somehow, I had pretty good access because I had friends in London, New York, Los Angeles, everywhere. I'd been visiting many places and talking with people, so I had a constant flow of new info. I sometimes did articles for magazines and things, and people started to say, "If you want to know what's going on, ask Hiroshi." So that was the beginning with Goodenough.

It was just a typical London flat, but it was in a great neighborhood. It was across from the Playboy Club, diagonally. From one balcony you could read the time from Big Ben, and from the other balcony you could watch the bunnies go up and down.

When I went to Scotland to do another movie, I would sing with a coach up there and then when I went to New York I sang with a coach over there-I mean I've now sung with coaches in LA, New York, London, Glasgow, St Louis and Rio de Janeiro!

What inspires me is what I see people wearing on the streets of the world from New York to London and beyond. I get my ideas and inspiration from pounding the pavement all over the world. Today, fashion is dictated by individual style. To me, the fashion of the future is anything that a young guy or girl feels good wearing as long as it's put together in the right way.

I really see myself as a homegirl. Wales is my first home. London is my second home - I've been there 14 years now.

The sixteen hundred dairies in California’s Central Valley alone produce more waste than a city of twenty-one million people-that’s more than the populations of London, New York, and Chicago combined.

Yes, she was a scandal. Her brother simply didn’t know it. “I fell in the Serpentine today.” “Yes, well, that doesn’t usually happen to women in London. But it’s not so much of a scandal as it is a challenge.

[On writer George Moore:] ... I grew curious about Moore. Yet when at the rehearsal of 'Countess Cathleen' in some dark by-way of London, I was told he was present, I cannot recall any form, only an irritation in the dusty atmosphere.

In 1897, troops from the greatest empire the world had ever seen marched down London’s mall for Queen Victoria’s diamond jubilee. Seventy years later, Britain had government health care, a government-owned car industry, massive government housing, and it was a shriveled high-unemployment socialist basket-case living off the dwindling cultural capital of its glorious past. In 1945, America emerged from the Second World War as the preeminent power on earth. Seventy years later . . . Let’s not go there.

I love Vivienne Westwood. So much. Every time I go to London, first thing I do is go in there. It's ridiculous!

People apply for a job, are asked to work for three or four weeks on probation and are then told to go and are replaced by colleagues. There are shops even in the West End [of London] using large numbers of totally unpaid staff on a permanent basis.

I've lived in a flat in Westminster in London for over 20 years; and I also have a house in the country, down in Somerset, so I have the best of both worlds.

They do it in Thai restaurants in London. You ask for a drink, and it comes in a glass with loads of seaweed and pebbles in it like a scene from Finding Nemo.

I love London. I love England. We were out in the countryside and I had the time of my life

When insolvent, pack minimally, with a valise tough enough to be thrown onto a London pavement from a first- or second-floor window. Insist on hotel rooms no higher.

I used all diligence to arrive at London and therefore I now gave my crew a certificate under my hand, of my free and willing return, without persuasion or force by any one or more of them.

I wanted to do London Boulevard because I saw the potential of a story about two people who need each other desperately, who love at first sight, as one does, and above all a story in which no one is what they appear to be.

I love the way girls in London dress; it's so different to the American 'blow-dry and immaculate grooming' thing.

My fantasy is, if I wasnt on Dexter, I would move my family to London and work for the BBC on Doctor Who.