Quotes About London

I respond to the sound of London being spoken - to the sound of London.

London Fashion Week is so different from any of the others. Compared to the strictness in New York, London seems freer from commercial constraints. Truer to the process, to street style, to a sense of humour.

I just adored working in London. It was in London where I first had the idea of making a film.

London life was very full and exciting [...] But in London there would be no greenhouse with a glossy tank, and no apple-room, and no potting-shed, earthy and warm, with bunches of poppy heads hanging from the ceiling, and sunflower seeds in a wooden box, and bulbs in thick paper bags, and hanks of tarred string, and lavender drying on a tea-tray.

I started going back and forth, New York, London, New York, London. I wasn't looking back at all. I was doing tons of jobs. Working, working, working, working.

I've always been a city person - London boy - and New York is just incredible. It has what London has but almost more in terms of variety, culture, social life, everything. I just like walking the streets and feeling the energy and the vibe.

I started noticing how stained the pavements are in London. The pavements in Beverly Hills aren't used; in London, they're used for everything. It doesn't matter how much they're cleaned, they still reflect light

In London, people can be so... well, it's not even a case of people being unkind or unfriendly. You just don't make any contact in London. You go from A to B with your eyes on the pavement.

In London - and forget those extra public pressures on politicians - the lovely old Sloane world of manor houses simply hasn't cut it since Big Bang in 1986, the point at which Mrs. Thatcher really started to achieve her ambition to make this country more like America - its ambition, economy, it's very tangible measures of success.

It's nice to keep in touch - besides, it's the only place in London where you can park a car.

London audiences are tricky, too. They don't laugh as much as the Northern audiences because, and I hate to say this, they are a bit cleverer normally, and they are picking up on all the little details and listening more carefully.

The color and spectacle of Mexico's streets sparked my interest in community driven space and experience, a passion that I began to develop while studying architecture at Syracuse University and then at the Architectural Association School in London. Having been immersed in such a diverse array of lively environments, it would be impossible for me not to use these memories and experiences as inspiration for my work.

I don't like flying at the best of times. And as I get older, I like it less and less. I don't much like driving, either. I prefer to be driven. And, when I'm in London, I don't even like walking on the street. I can never get used to looking the right way when I cross the street.

I hope we get a real diversity in perspectives from the good, the bad and the ugly. I love living in London so I hope there are submissions that celebrate the City while also showing that there are many challenges we need to face together.

In writing 'The Satanic Verses,' I think I was writing for the first time from the whole of myself. The English part, the Indian part. The part of me that loves London, and the part that longs for Bombay. And at my typewriter, alone, I could indulge this.

If I'd stayed on in London and carried on going to literary parties, it would have wrecked me as a writer.

If you were smart in 1807 you moved to London, if you were smart in 1907 you moved to New York City, and if you are smart in 2007 you move to Asia.

I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.

what she loved: life, London, this moment of june.

The confection made of Cacao called Chocolate or Chocoletto which may be had in diverse places in London, at reasonable rates, is of wonderful efficacy for the procreation of children: for it not only vehemently incites to Venus, but causes conception in women . . . and besides that it preserves health, for it makes such as take it often to become fat and corpulent, fair and amiable.

A study of the panics of 1873, 1893, and 1907 indicates that these panics were the result of the international bankers' operations in London.

London is one of the few cities where people still dress properly and fashion exists. Every day I see women who've thought about their outfits. They've picked out the bag, put on proper shoes. ... Do you know how rare it is in parts of America to actually see 'an outfit'? France? I don't want to be anti-French but there isn't a more unattractive group of people on the streets.

I'm living on coffee, cigarettes and hospitality food. My bags and things are all over this hotel room in Dallas, but the scene could easily be in London, Paris, New York of LA. My eyes are burning, my knees hurt and I hate to say it, but a certain and vital part of my nether region is beginning to smell like peanut butter. Welcome to life on tour.

I feel at home most places I go, but my very top of the list are Bali, Italy, and London. Those are like second homes to me.

The relation of eugenics to British psychiatry bears examination. The primary controlling body for psychiatry in England is the British National Association for Mental Health (NAMH), formed in 1944, and initially run by the mentally unstable Montagu Norman, previously of the Bank of England. The group originally met at Norman's London home, where he and Nazi Economics Minister Hjalmar Schacht had met in the 1930s to arrange financing for Hitler.

Berlin seems like a place of healing to me though: you have both the Holocaust Memorial and Hiroshima Strasse side-by-side there. You have the whole last century libraried and you can see exactly what we did. Now there's lots of artists and musicians moving there because they can't afford the rent in London and New York, and they're having children and making it a gentle place. It seems to be a place of hope now.

On my Instagram, I'm always keeping a record of things being pulled down in Soho and shutters being closed. Every city - and London more than anywhere - has got to be a vibrant mix of all different things. We can't allow it to become a monoculture.

There may be problems we still need to tease out, but we will leave no stone unturned in our bid to make London the host city.

My family are from Liverpool, so I have some twang there - I have a Midlands accent, and I was raised about an hour north of London, so my voice is a mess. Although, to American ears, it sounds like the crisp language of a queen's butler.

I went to the big Picasso retrospective at the Tate in the sixties, and I think I went to an Andy Warhol retrospective at the Tate in the sixties, too. My mother was very good at taking me to things like that. We lived in Reading, but we went on these cultural trips to London.

I'm gonna start off somewhere small like London or England.

I take my hat off to the ladies. The amount of grooming-plucking and shaving and all the other things men never have to do. I went down and spent time with transvestites in London in the clubs and all that. Got an insight to that world, and it's a mad world, but they are very warm and very open people. It was a great experience.

It's strange, somebody asked for my autograph the other day. Because I finished school and I'm not really doing anything at the moment, I was just kind of aimlessly wandering around London and these two guys who were about 30 came up and asked for my autograph. I was really quite proud at the time, and they wanted to take photos and stuff. And then they were sort of wandering around and I was kind of wandering around and I bumped into them about three times, and every single time their respect for me kept growing and growing and growing.

I'm confident of what I have to achieve in the buildup to London 2012.

I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.

The sixteen hundred dairies in California’s Central Valley alone produce more waste than a city of twenty-one million people-that’s more than the populations of London, New York, and Chicago combined.

New York has a great energy, but London is better.

London's where I was brought up. It's where my heart is and where I get my inspiration.

I spent two years playing open mic nights in Brighton, and I heard more and more people saying, You should give it a go in London.

New York is more exciting, I guess, than even Paris or London. New York's the center of something; I don't know what, really - the center of a lot of things. With all its problems and chaos and craziness, it's still a great place to live. I can't see myself living anywhere else.

The Globe' is one of the most terrifying theatres in London. It's that mob element - everyone packed in and staring up at you.

Well, I heard of Sunny Ade, and looks as if his music is gonna be big on a global level, because I was in London the other day and some people asked me to review the album.

I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.

Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.

I love London, and it's a privilege for my children to grow up here.

Not in this specific form. But all great cities are inhabited by ghosts. A book of this kind could probably be written about Jakarta, Manila, or London by anyone who had a feeling for the invisible truths of those places.

My fans - I hate the word fans...my supporters - it's an international following that isn't from being in London and existing on the "scene." It came from being on the Internet, from being a teenager communicating with different artists, showing who I am, who KESH is, as well as connecting with other people around the world doing similar things.

I'm a London fanatic. That's my city. I love being from there, you don't appreciate it until you go out.