Quotes About Poetry

I don't know that I had a sense that there was such a thing as "the poetry world" in the 1960s and early 70s. Maybe poets did, but for me as an onlooker and reader of poetry, poetry felt like it was part of a larger literary world. I mean, even the phrase "the poetry world" reflects a sort of balkanization of American literary and artistic life that has to some extent happened since then.

To different minds, poetry may present different phases. To me, the reverent faith of the people I lived among, and their faithful everyday living, was poetry; blossoms and trees and blue shies were poetry. God himself was poetry.

Poetry is like air. It's one of the necessary things. Everyone benefits from poetry. And as you know, poetry is international. There are only two things that are truly international, poetry and wine.

Dont teach my boy poetry, an English mother recently wrote the Provost of Harrow. Dont teach my boy poetry; he is going to stand for Parliament. Well, perhaps she was rightbut if more politicians knew poetry, and more poets knew politics, I am convinced the world would be a little better place to live on this Commencement Day of 1956.

I think the best American poetry is the poetry that utilizes the resources of poetry rather than exploits the defects or triumphs of the poet's personality.

Poetry is related to philosophy as experience is related to empirical science. Experience makes us acquainted with the phenomenon in the particular and by means of examples, science embraces the whole of phenomena by means of general conceptions. So poetry seeks to make us acquainted with the Platonic Ideas through the particular and by means of examples. Philosophy aims at teaching, as a whole and in general, the inner nature of things which expresses itself in these. One sees even here that poetry bears more the character of youth, philosophy that of old age.

I find it strange that - at least in my take on it - the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway. Humor is just an ingredient. It's always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it's found its way back. And it's simply an ingredient.

Poetry is fascinating. As soon as it begins the poetry has changed the thing into something extra, and somehow prose can go over into poetry.

Poetry at large in America is naturally a reflection of the American system and culture. That's my possibly narrow view of it, or reductive view. But I think for as many portals for critical consciousness in the poetry world and in the American spirit that exist, there's also an over-arching, dominant mirroring, in poetry, of the corporate structure, the capitalist enterprise.

I had no one to help me, but the T. S. Eliot helped me. So when people say that poetry is a luxury, or an option, or for the educated middle classes, or that it shouldn’t be read at school because it is irrelevant, or any of the strange stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language – and that is what poetry is. That is what literature offers – a language powerful enough to say how it is. It isn’t a hiding place. It is a finding place.

This is going to sound nuts but it took me forever to figure out why I'd stopped writing poetry - I mean, I went about a decade where I wrote very little poetry and I thought it was because I was doing a weekly blog. And then when we moved, I reconfigured my writing desk. The previous one had had very little space to write by hand. And suddenly, the poetry was gushing!

What you have to realize when you write poetry, or if you love poetry, is that poetry is just naturally the greatest god damn thing that ever was in the whole universe

I think poetry bridges text and image. Poetry is visual in its imagery - but it requires close attention to words themselves. Words become jewels in poetry, while they are often tools in other genres.

Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.

I hardly remember how I started to write poetry. It's hard to imagine what I thought poetry could do.

I never intended to write poems, nor to be a photographer, nor to be a film-maker. I just took many, many pictures and I would put them in an album, and then some years later I decided to show them and suddenly I was called a photographer. Same thing with my poetry. They're notes that I'd written in a book and it may be considered poetry.

My songs were influenced not so much by poetry on the page but by poetry being recited by the poets who recited poems with jazz bands.

Poetry is my first love. Photography often fails to look into things. It looks at things. Poetry is so much more truthful.

Never forget that the subject is as important as your feeling; the mud puddle itself is as important as your pleasure in looking at it or splashing through it. Never let the mud puddle get lost in the poetry-because, in many ways, the mud puddle is the poetry.

Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free?

There are things which some people never attempt during their whole lives, but one of these is not poetry. Poetry attacks all human beings sooner or later, and, like the measles, is mild or violent according to the age of the sufferer.

You cannot lecture on really pure poetry any more than you can talk about the ingredients of pure water-it is adulterated, methylated, sanded poetry that makes the best lectures.

You may ... make a little recreation of poetry, in the midst of your painful studies. Nevertheless, I cannot but advise you. Withhold thy throat from thirst. Be not so set upon poetry, as to be always poring on the passionate and measured pages. ... let not the Circean cup intoxicate you.

All poetry is experimental poetry.

Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.

Gunn would be an important figure-rewarding, delightful, accomplished, enduring-in the history of English-language poetry even were his life not as fascinating as it now seems; he would be an important figure in the history of gay writing and in the history of transatlantic literary relations even were his poetry not so good as it is. With his life as it was and his works as they are, he's an obvious candidate for a volume of retrospective and critical essays, and this one is first-rate.

Poetry is the language of extremity. Poetry is a transfer of potency. You feel something potent and then you transfer it onto the page.

There is such a thing as the poetry of a mistake, and when you say, "Mistakes were made," you deprive an action of its poetry, and you sound like a weasel.

Poetry teaches us things that cannot be learned in prose, such as certain kinds of irony or the importance of the unsaid. The most important element of any poem is the part that is left unsaid. So the poetry frames the experience that lies beyond naming.

After Pope, in the beginning of Romanticism, people developed the idea that imagination rather than reason was a special form of knowledge and its best expression is through poetry. Therefore, poetry should not try to do the stuff that mere prose does: convey information or make arguments about ideas.

We are difficult. Human beings are difficult. We're difficult to ourselves, we're difficult to each other. And we are mysteries to ourselves, we are mysteries to each other. One encounters in any ordinary day far more real difficulty than one confronts in the most “intellectual” piece of work. Why is it believed that poetry, prose, painting, music should be less than we are? Why does music, why does poetry have to address us in simplified terms, when if such simplification were applied to a description of our own inner selves we would find it demeaning?

The judges who awarded the 1980 Commonwealth Poetry Prize to my first collection of poems, Crossing the Peninsula and Other Poems, cited with approval and with no apparent conscious irony my early poem, "No Alarms." The poem was composed probably sometime in 1974 or 1975, and it complained about the impossibility of writing poetry - of being a poet - under the conditions in which I was living then.

Poetry -- even bad poetry -- may be our final hope.

I am not interested in poetry for poetry's sake.

The first night Stephen and I slept together, he whispered numbers into my ear: long, high numbers -- distances between planets, seconds in a life. He spoke as if they were poetry, and they became poetry. Later, when he fell asleep, I leaned over him and watched, trying to picture a mathematician's dreams. I concluded that Stephen must dream in abstract, cool designs like Mondrian paintings.

I love poetry, be it in music or be it in Andrei Tarkovsky, Francesca Woodman or anyone else, I just love poetry.

... the attempt to control poetry, to subordinate it to extrapoetic ends, constitutes misuse.... it may be poetry's stubborn quality of rockbottom, intrinsic uselessness whichconstitutes the guarantee of its integrity, and hence of its ultimate value to us.

Nothing is as universal as some good scatalogical humor. I try to shift the frame in which people think about poetry from being distant or "sacred" to being more human, because then I think it becomes easier to feel like poetry belongs to us, is for us, is from us.

The poet's discourse can be compared to the track of a charged particle through a cloud-chamber. An energised field of association and connotation, of overtones and undertones, of rebus and homophone, surround its motion, and break from it in the context of collision .. in Western poetry so much of the charged substance is previous poetry.

We tend to be so bombarded with information, and we move so quickly, that there's a tendency to treat everything on the surface level and process things quickly. This is antithetical to the kind of openness and perception you have to have to be receptive to poetry.poetry seems to exist in a parallel universe outside daily life in America.

I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry.'

Women do not have as great a need for poetry because their own essence is poetry.

By eloquence I understand those appeals to our moral perceptions that produce emotion as soon as they are uttered. This is the very enthusiasm that is the parent of poetry. Let the same man go to his closet and clothe in numbers conceptions full of the same fire and spirit, and they will be poetry.

Poetry, especially traditional Iranian poetry, is very good at looking at things from a number of different angles simultaneously.

Poetry looking in the mirror sees art, and art looking in a mirror sings poetry.

As far as I can tell, writing the essays didn't change the way I wrote poetry. Although the essays contain scattered passages that might be called lyrical, they often contain closed statements of what is only suggested in the poetry.

In high school, in 1956, at the age of sixteen, we were not taught "creative writing." We were taught literature and grammar. So no one ever told me I couldn't write both prose and poetry, and I started out writing all the things I still write: poetry, prose fiction - which took me longer to get published - and non-fiction prose.

I think there are different kinds of poetry for different stages of life and there's the wild, exuberance of youth, there's the painful agony of midlife experience, there's the late poetry in the presence of death.