Quotes About Words

Cold words freeze people, and hot words scorch them, and bitter words make them bitter, and wrathful words make them wrathful. Kind words also produce their own image on men's souls; and a beautiful image it is. They smooth, and quiet, and comfort the hearer.

The poets are supposed to liberate the words – not chain them in phrases. Who told the poets they were supposed to think? Poets are meant to sing and to make words sing. Writers don't own their words. Since when do words belong to anybody? 'Your very own words,' indeed! And who are you?

Look, words are like the air: they belong to everybody. Words are not the problem; it's the tone, the context, where those words are aimed, and in whose company they are uttered. Of course murderers and victims use the same words, but I never read the words utopia, or beauty, or tenderness in police descriptions. Do you know that the Argentinean dictatorship burnt The Little Prince ? And I think they were right to do so, not because I do not love The Little Prince , but because the book is so full of tenderness that it would harm any dictatorship.

I read once that the ancient Egyptians had fifty words for sand & the Eskimos had a hundred words for snow. I wish I had a thousand words for love, but all that comes to mind is the way you move against me while you sleep & there are no words for that.

I have a passion for words. I love words. And I'm just learning and developing my skills for words. I do books and I do journalism and plays. I have a broad palette. I don't have a great eye for direction. I love working with actors and I work very well with them because I appreciate what they bring to the table. I'd never say never, of course, but I look at it and don't really fancy it. I want to try and master the word side of it first.

Words have a magical power. They can bring either the greatest happiness or deepest despair; they can transfer knowledge from teacher to student; words enable the orator to sway his audience and dictate its decisions. Words are capable of arousing the strongest emotions and prompting all men's actions.

You shall not steal! You shall not kill! Such words were once called holy; before them people bowrd their knees and heads, and removed their shoes. But I ask you: where have there ever been better thieves and killers in the world than such holy words have been? Is there not in all of life itself - robbing and killing? And when such words were called holy, was not truth itself thereby - killed?

We'd said we'd keep in touch. But touch is not something you can keep; as soon as it's gone, it's gone. We should have said we'd keep in words, because they are all we can string between us--words on a telephone line, words appearing on a screen.

I hope you never hear those words. Your mom. She died. They are different than other words. They are too big to fit in your ears. They belong to some strange, heavy, powerful language that pounds away at the side of your head, a wrecking ball coming at you again and again, until finally, the words crack a hole large enough to fit inside your brain. And in so doing, they split you apart.

If I have some extra words and I'm trying to make it fit into that shape, then I just sort of take out the extra words, almost like a sculptor would take a piece of granite. It's almost like cutting out the words that aren't needed in order to make it a stronger poem and still say exactly what I want it to say.

Words have power. Words created this universe... Everything started with the Word. The Bible says, In the beginning was the word. In the same way, your words have creative power.

Telling the complete story of VeggieTales would require much more time than we have before us tonight. Since this is Yale, I decided to craft a shorter version of the story, using very large words. Remembering though that I was kicked out of Bible College before I'd had a chance to learn many very large words, I concluded that my only remaining option was to tell the story simply, using simple words, and chance the consequences.

THE FATHER: But don't you see that the whole trouble lies here? In words, words. Each one of us has within him a whole world of things, each man of us his own special world. And how can we ever come to an understanding if I put in the words I utter the sense and value of things as I see them; while you who listen to me must inevitably translate them according to the conception of things each one of you has within himself. We think we understand each other, but we never really do.

Tao is beyond words and beyond understanding. Words may be used to speak of it, but they cannot contain it. Tao existed before words and names, before heaven and earth, before the ten thousand things. It is the unlimited father and mother of all limited things. Therefore, to see beyond boundaries to the subtle heart of things, dispense with names, with concepts, with expectations and ambitions and differences. Tao and its many manifestations arise from the same source: subtle wonder within mysterious darkness. This is the beginning of all understanding.

Happy," I muttered, trying to pin the word down. But it is one of those words, like Love, that I have never quite understood. Most people who deal in words don’t have much faith in them and I am no exception – especially the big ones like Happy and Love and Honest and Strong. They are too elusive and far to relative when you compare them to sharp, mean little words like Punk and Cheap and Phony. I feel at home with these, because they’re scrawny and easy to pin, but the big ones are tough and it takes either a priest or a fool to use them with any confidence.

If a thing can be said in ten words, I may be relied upon to take a hundred to say it. I ought to apologize for that. I ought to prune, pare and extirpate excess growth, but I will not. I like words—strike that, I love words—and while I am fond of the condensed and economical use of them in poetry, in song lyrics, in Twitter, in good journalism and smart advertising, I love the luxuriant profusion and mad scatter of them too.

The artist deals with what cannot be said in words. The novelist says in words what cannot be said in words.

Actions are the first tragedy in life, words are the second. Words are perhaps the worst. Words are merciless. . .

I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more.

Words move, music moves Only in time; but that which is only living Can only die. Words, after speech, reach Into the silence. Only by the form, the pattern, Can words or music reach The stillness.

Certainly, words can be as abusive as any blow. . . . When a three-year-old yells, "You're so stupid! What a dummy!" it doesn't carry the same weight as when a mother yells those words to a child. . . . Even if you don't physically abuse young children, you can still drive them nuts with your words.

Semantics is about the relation of words to thoughts, but it also about the relation of words to other human concerns. Semantics is about the relation of words to reality - the way that speakers commit themselves to a shared understanding of the truth, and the way their thoughts are anchored to things and situations in the world.

I'm quite interested in what words can be, if it's very few words, and it's a kind of club track but it has a sort of uplifting or spiritual kind of feeling to it. Somehow, something bigger than just the words on the page happens when you hear it all together. Sometimes I notice when I'm DJing, I put on a lot of tracks that feature vocals. I guess for me, it's just from growing up loving songs, so maybe I'm geared slightly more towards dance music that features a song element.

Without precise meanings behind words, politicians and elites can obscure reality and condition people to reflexively associate certain words with positive or negative perceptions. In other words, unpleasant facts can be hidden behind purposely meaningless language.

Bend words. Stretch them, squash them, mash them up, fold them. Turn them over or swing them upside down. Make up new words. Leave a place for the strange and downright impossible ones. Use ancient words. Hold on to the gangly, silly, slippy, truthful, dangerous, out-of-fashion ones.

Gentle words, quiet words, are after all the most powerful words. They are more convincing, more compelling, more prevailing.

Ralph Keyes calls quotation collectors "quotographers," the men and women who gather catchwords, watchwords, war words, winged words, maxims, mottos, sayings, and quips into books of a thousand pages. Through the centuries quotation collectors have saved quotations that would otherwise be lost.

Gratitude is a feeling not statement. It is so easy to say we are grateful that I often don't stop to really, really take the time to experience gratitude. Saying the words doesn't mean a thing without the feeling and it takes a moment of genuine reflection to summon that feeling. This Thanksgiving don't shortchange yourself with hollow words.

Say all you have to say in the fewest possible words, or your reader will be sure to skip them; and in the plainest possible words or he will certainly misunderstand them.

Often writers cast their words out prophetically, as a sorceress might cast a spell, and many times when the words return to you, enclosed between covers, your phantom is so fully fleshed out in its own persona, you don't recognize your own creation.

I think technology is such that we can reach new heights but we need some of the basics of the pre-technological age. It's counter-productive to be able to type a hundred words a minute but not know what the words mean.

God did not write a book and send it by messenger to be read at a distance by unaided minds. He spoke a Book and lives in His spoken words, constantly speaking His words and causing the power of them to persist across the years.

Many words are not proof of the wise man, because the sage only talk when it's needed, and the words are measured and corresponding with the need.

I never start with what lots of people think of as a subject or a theme. They're school words, not art words. So, writing essays busts my arse because the art is in addressing the subject. I find it really difficult and monstrously time-consuming. In an essay I need to employ my imagination but it's indentured in a way it's not when I'm free to make everything up.

Rem tene, verba sequentur: grasp the subject, and the words will follow. This, I believe, is the opposite of what happens with poetry, which is more a case of verba tene, res sequenter: grasp the words, and the subject will follow.

If I do, I say so. That's the only way out of that. If there are three words that need to be used more in American journalism, commentary, politics, personal life... it's the magic words "I don't know." I mean, there are certain basic principles, like the dignity of the individual and the individual's responsibility, and certain basic economic principles, like how when something costs less, more of it will be consumed... There are certain things that I feel pretty confident about.

At birth we begin to discover that shapes, sounds, lights, and textures have meaning. Long before we learn to talk, sounds and images form the world we live in. All our lives, that world is more immediate than words and difficult to articulate. Photography, reflecting those images with uncanny accuracy, evokes their associations and our instant conviction. The art of the photographer lies in using those connotations, as a poet uses the connotations of words and a musician the tonal connotations of sounds.

I was just thinking of bundling up Cecily and feeding her to the ducks at Hyde Park," said Will, pushing his wet hair back and favoring Jem with a rare smile. "I could use your assistance." "Unfortunately, you may have to delay your plans for suicide a bit longer. Gabriel Lightwood is downstairs, and I have two words for you. Two of your favorite words, at least when you put them together." "'Utter simpleton'?" inquired Will. "'Worthless upstart'?" Jem grinned. "'Demon pox,'" he said.

It is often too easy to explain a novel idea to a few enlightened persons with a few words. But to enlighten about the same to many people, too many words are often required

But words have been used too often; touched and turned, and left exposed to the dust of the street. The words we seek hang close to the tree. We come at dawn and find them sweet beneath the leaf.

The American dream. Those three short, simple words encompass the hopes and aspirations of all the peoples on earth. The words are not only short and simple. They are also fragile.

If you're doing six takes, instead of doing six variations on the same words, why not just throw out the words and make them up as you go along, if you're comfortable with it? It gives the movies a slightly rangier feeling, and more of an accidental feel, but it also makes them edgier.

For me cinema is image, sound, and the faces and bodies and, yes, voices, of my actors, and sometimes the words that they are saying, but not only the words.

Forward steps are made by giving up old armor because words are built into you - in the soft typewriter of the womb you do not realize the word-armor you carry; for example, when you read this page your eyes move irresistibly from left to right following the words that you have been accustomed to.

The very essence of meditation is to be so silent that there is no stirring of thoughts in you, that words don't come between you and reality, that the whole net of words falls down, that you are left alone. This aloneness, this purity, this unclouded sky of your being is meditation.

Words... They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good any more... I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you're dead.

All I can do in my writing is to stimulate a certain amount of thought, clarify some technical facts and date my work. But when I preach sharpness, brilliancy, scale, etc., I am just mouthing words, because no words can really describe those terms and qualities it takes the actual print to say, “here it is.

...I would think how words go straight up in a thin line, quick and harmless, and how terribly doing goes along the earth, clinging to it, so that after a while the two lines are too far apart for the same person to straddle from one to the other; and that sin and love and fear are just sounds that people who never sinned nor loved nor feared have for what they never had and cannot have until they forget the words.