Quotes About Work

At least 90 percent of my work is in situ. For me, it's not only to work with the architecture and space, it's also to work with the time, to work with the people who are involved with the place. It's also dealing with history. It takes all this into account. Other works can be placed in different environments, but they always follow a rule. This is usually not the case for work in situ, because even if they are transported, they remain there forever or they are destroyed.

The work I've done is the work I know, and the work I do is the work I don't know. I don't know what I'm doing.

Thanksgiving and Christmas then, for us who love God, are not mere time outs from work days. They are a celebration of the gift of work itself, days on which we celebrate work by declaring our freedom. In a manner of speaking we announce that on this one day we may rest from our work, and without pressure or guilt, we may be glad. A holiday is a holy day-meant for rejoicing in God.

The most important thing is that, when you work with somebody, you build a rapport with that person. They have a certain trust in you. You don't have to explain that much. It's very hard when you photograph someone who's a fresh face and then you don't work with them again for six months. All these people I work with over and over again have qualities that I love. There's something very free about them or there are some slight imperfections about them. I think the more you work with someone, the pictures get better and better.

No, I like normal life but I will go crazy if I'm not working. I'll say to my mom, "I'm going crazy! I'm going stir crazy!" I love my house. I love my family. I love my animals. Sometimes, I just want to work whether its on location here in Michigan or back in LA. I just want to work, work, work. It's what I want to do with the rest of my life so, yes, I do go a little bit crazy when I'm not working.

Work doesn't have to be great in order to dignify it as work. Work just is. It's quite value-neutral. The issue is about what kinds of power and control you have at work as a human being. That's the commonality. It's not necessarily what the task is.

It has long been my personal view that the separation of practical and theoretical work is artificial and injurious. Much of the practical work done in computing, both in software and in hardware design, is unsound and clumsy because the people who do it have not any clear understanding of the fundamental design principles of their work. Most of the abstract mathematical and theoretical work is sterile because it has no point of contact with real computing.

Work on causal theories of knowledge - early work by Armstrong, and Dretske, and Goldman - seemed far more satisfying. As I started to see the ways in which work in the cognitive sciences could inform our understanding of central epistemological issues, my whole idea of what the philosophical enterprise is all about began to change. Quine certainly played a role here, as did Putnam's (pre-1975) work in philosophy of science, and the exciting developments that went on in that time in philosophy of mind.

Friend, you cannot legislate the poor into freedom by legislating the wealthy out of freedom. And what one person receives without working for, another person must work for without receiving. The government can't give to anybody anything that the government does not first take from somebody. And when half of the people get the idea they don't have to work because the other half's going to take care of them, and when the other half get the idea it does no good to work because somebody's going to get what I work for. That, dear friend, is about the end of any nation.

Movies either work or they don't work and they're either funny or they're not and we work very hard. To achieve that kind of work is really kind of delicate stitching.

Work was made for man, and not man for work. Work is man's servant, both in its results to the worker and the world. Man is not work's servant, save as an almost universal perversion has made him such.

An actor and a [theatre] director are both what I would call interpreters of work. We interpret a work, just as a musician will interpret a composer's work, we interpret the work of a playwright. We are servants of the theatre and I've always believed that. We must serve what has been written, that's what we're there for.

What is there in life if you do not work? There is only sensation, and there are only a few sensations— you cannot live on them. You can only live on work, by work, through work. How can you live with self-respect if you do not do things as well as lies in you?

Howbeit your faith seeth but the black side of providence, yet it hath a better side, and God shall let you see it. ... “For we know that all things work together for good to them that love God,” ergo, shipwreck, losses, &c., work together for the good of them that love God: hence I infer, that losses, disappointments, ill tongues, loss of friends, houses, or country, are God's workmen, set on work to work out good to you, out of everything that befalleth you.

I was so unsuccessful for so long. I was used to the word no. I was used to you're not good enough or not quite there or you need to fix this about you. So I am honestly walking in faith every single day that I am going to be able to handle whatever God has for me. I am not used to being in a place where people appreciate my work and understand my work and want to be a part of my work and getting something out of my work because for so long it was so misunderstood. The success part for me is the hardest part and everyday I'm still battling.

Some guys can do digital things where they make some tricks work, but I work on paper and I work with washes. You can't just change things afterwards. You have to get it right on the page.

If we do not live where we work and when we work we are wasting our lives and our work too.

When I got this saxophone, it became a religion. There wasn't TV, there wasn't much money, and there was just a real dedication.... I never thought of it as an art. It was just work that I loved. Not just work, but work that I loved. I loved it so much, I would play it if nobody listened to it. Any jazz musician, if there's nobody around to listen, would play just for the sheer joy of improvising music.

When I rest, I rest and when I work, I work hard and sometimes for long hours. I always try to be rested when I work.

The Lord has made available in our day remarkable resources that enable you to learn about and love this work that is sparked by the Spirit of ElijahIt is no coincidence that FamilySearch and other tools have come forth at a time when young people are so familiar with a wide range of information and communication technologies. Your fingers have been trained to text and tweet to accelerate and advance the work of the Lord-not just to communicate quickly with your friends. The skills and aptitude evident among many young people today are a preparation to contribute to the work of salvation.

My work is my work. I take my work seriously but I don't take myself too seriously.

Unless this love is among us, we can kill ourselves with work and it will only be work, not love. Work without love is slavery.

Thinking can be lateral or "sweaty". For the latter you're better off in an office and following a routine but for the former you have to be "out of your mind", so to speak. So although I recognize the merits of hard work, I find that my work goes stale if I don't go off wandering around the world every few weeks. My friends think I'm a gipsy, but that's when I do "part 1" of my best work.

My four criteria: I don't want to work with people I don't like; I don't want to work in a business I either don't like or don't understand; I don't want to work for nothing unless I choose to, and I do a fair amount of that already; and I want to have some fun.

To work and work and never mind why; if you kept looking for the why behind everything you might never work again, you might never bother to breathe again.

I have faith that if we caught hold of God's living candle on that truth and went out into the world-I don't care [what vocation] -just out in the world being true to the vision, we would not need to defend the cause of Jesus Christ. People would come and ask; "Where have you found the radiance that I sense in your eyes and in your face? How come you don't get carried away with the world?" And we would answer that the work of salvation is the glorious work of Jesus Christ. But it is also the glorious work of the uncovering and recovering of your own latent divinity.

I think that no matter what you do, whether you rodeo, whether you work in an office, you work in the oilfield or you play music for a living, eventually if you do enough of it, the devil in the back of your head tries to turn it into work. You have to find new ways to make it new and make it exciting to keep that drive there.

Today is [the feast of] Santa Rita, Patron Saint of impossible things - but this seems impossible: let us ask of her this grace, this grace that all, all, all people would do good and that we would encounter one another in this work, which is a work of creation, like the creation of the Father. A work of the family, because we are all children of God, all of us, all of us! And God loves us, all of us! May Santa Rita grant us this grace, which seems almost impossible. Amen.

I'm going from doing all of the work to having to delegate the work - which is almost harder for me than doing the work myself. I'm a lousy delegator, but I'm learning.

One clear difference between art and commercial work is that commercial work is exploitive: the work may be high quality but the intention is to sell product or tickets. Art exists with or without ticket sales.

I had prepared myself for the second half of my life [to be] filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.

I'd love to work on something that gets some type of critical respect. This business is sometimes so brutal - you work on something for months and really feel like the project is good and you're doing the best work you can, and then it just gets hammered by critics. It's such a bummer sometimes, because everything seems to build up to the release and a couple of bad reviews can make it seem like it was all a waste, which you know it wasn't.

This great increase of the quantity of work which, in consequence of the division of labour, the same number of people are capable of performing, is owing to three different circumstances; first, to the increase of dexterity in every particular workman; secondly, to the saving of the time which is commonly lost in passing from one species of work to another; and lastly, to the invention of a great number of machines which facilitate and abridge labour, and enable one man to do the work of many.

When something you make doesn't work, it didn't work, not you. You, you work. You keep trying.

I want to thank my wife who I don't normally usually associate with Iran. I want to thank you for working on our marriage for 10 Christmases. It's good. It is work, but it's the best kind of work, and there's no one I'd rather work with!

I assert with confidence that the law of success, here and hereafter, is to have a humble and a prayerful heart, and to work, work, work.

You move on. It's work. Yeah, I'm privileged and paid handsomely and it's not exactly being in a coal mine, but you still work your ass off and you work as hard as you possibly can and you hope that people connect to it and enjoy it.

Movies are hard work. The public doesn't see that. The critics don't see it. But they're a lot of work. A lot of work.

Long ago you may have given up control of your brain and set it on autopilot either because it just felt like too much work. And it is work! But for me, this work was well worth it for the prospect of not waking up sad every day.

I look at some of my work and say, "Oh, that's where I can be better." I want to continue to grow and do things that do scare me. I want to work with filmmakers who will help me go deeper in my work.

We have made it our overriding ambition to escape work, and as a consequence have debased work until it is only fit to escape from. We have debased the products of work and have been, in turn, debased by them. (pg. 43, "The Unsettling of America")

Most development doesn't make it to series. So you want the writer and director to have a really good experience with development because, if it doesn't work out, you want to work with them again. You have to know their work really well, know the drafts really well, and when you give notes, you need to have really thought them through.

All I can do is try to do the best work I can. I need to work, I like to work... although I complain about it, but I do like it - and I just need to make the best film I can.

I get very surprised and shocked because there is so much prejudice against me as a celebrity, instead of them looking at the quality of my work. Just look at the work. Forget about who I am. But there is so much perception in the art business that blurs that insight. The work speaks, so just look and then judge from there.

What you are lies with you. If you are lazy, and accept your lot, you may live in it. If you are willing to work, you can write your name anywhere you choose, among the only ones who live beyond the grave in this world, the people who write books that help, make exquisite music, carve statues, paint pictures, and work for others. Never mind the calico dress, and the coarse shoes. Work at you books, and before long you will hear yesterday's tormentors boasting that they were once classmates of yours.

As a young actor, there's a very small group of kids, just a handful. As you get older, all of a sudden, there's a bunch of guys your age that work. It's a very different experience when you used to be on the short list because you were young and there's only so many kids that can do the work and then all of a sudden you're in your twenties and thirties and there's a whole bunch of guys that can do your work.

You should never have to say hello or goodbye. Even at work sometimes, and I know this is very unpopular, is that if I'm going to work every single day, I don't think you should have to hug people hello every single day when you come to work. I saw you Monday!

When I work, I work. I don't think about anything else. I just wanna get the work done. And I'm a perfectionist.