Perhaps it's time to start examining countries that have made democracy work while still having some kind of the same relationship in covenant with their population. Perhaps we need to look at the Scandinavian countries, or Canada, or something else, but whatever we have now, I think we just have to acknowledge, ain't workin.

I'm not crazy impressed with New York. I mean, I don't buy into that whole thing: Everyone in New York is all sophisticated, and they're into art and sophisticated things, and everyone in L.A. is just shallow entertainment people. I think people are just shallow across the board.

I don't want the news to be patriotic. I don't want to see flags on the lapels of the anchors. I don't want any of that.

I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.

When the news is slow, or when there's just so many other responsibilities bearing down on me that I don't have the time to do it right, that's when it gets frustrating. As an artist, you just don't wanna put bad work out. So when you have to do it seven days a week, you're just gonna have some bad days and bad weeks and bad months and bad years.

Cuba was fantastic, at least just in terms of... Not to romanticize or glorify it, but just seeing a place that had not really been touched by the hand of American capitalism. Because it's a genuinely different place. A lot of times when you travel, things start to feel the same from place to place to place, because the same people own everything all around the world.

I cannot be made into the commentator for the unspoken black masses.