When the news is slow, or when there's just so many other responsibilities bearing down on me that I don't have the time to do it right, that's when it gets frustrating. As an artist, you just don't wanna put bad work out. So when you have to do it seven days a week, you're just gonna have some bad days and bad weeks and bad months and bad years.

I do think comics are a dying art form because newspapers are a dying medium. But it's not to say that in the next generation, where there's people getting their news electronically, comics won't survive. Right now, they're still largely attached to the newspaper world. And the more they can break away from that, the more they have a chance to live on.

Obviously, there's a million things we're allowed to say on late-night cable that you're not allowed to say on a prime time broadcast.

One, I push my deadlines closer than anybody else, or let's say it this way: I'm really late.

We have to confront the very scary fact that the president is a moron. He's really dumb.

We did our best to do a Fox show, frankly, I don't think the difficulties we had at Fox would be exclusive to Fox. It's tough to be funny, because there's so many eyeballs and there's so much money at stake that I think everything is just kind of over-thought. And it's tough to be daring and do something different, either with regards to content or even structure.

I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.