The American people have no control over what the military does. We have no say in American foreign policy.

We have to confront the very scary fact that the president is a moron. He's really dumb.

I think, ultimately, the problem with something like this is that you actually have so many more opportunities to say something than you actually have things worth saying. And then, as an artist who doesn't want to do bad work, gosh, how do you fill up all that space when you really don't have anything actually worthwhile to say? And that's what makes the job tough, because the fans get mad - "That's not funny," or "You've been sucking for several months now." And you go, "It's not my fault! I'm trying."

At least when I was young, in high school: "Eh, voting doesn't mean nothing." You don't really know that to be true, you just say it. Then you get older, and responsible, and you go, "Oh heck, let me vote." And then you vote and you go away. I was actually right when I was 16.

I think you have to play the game on every level. If you need a friendly, charismatic, good-looking guy to be the mouthpiece, then so be it. And maybe Ralph Nader should just be behind the scenes telling that guy what to say.

It's not the norm when creators have any protections with regards to creative control. And so it took some time, I think, for the strip to gain enough popularity where I had enough leverage to come in and say, "It has to be done in a certain way or it's not going to be done at all," and then have people willing to put up with that who were ultimately paying for it. You know, for them to be willing to kind of concede those kind of things. It just takes time, you know?

Meeting Fidel Castro was really cool. It's cool because it's Fidel, and it's a world leader, and there's so much history behind the man and who he is in this hemisphere. And then at the end of the day, he's, I think, just like a big mayor. There's only, like, 11 million people in Cuba. He's a big mayor.